Cast & Crew
Half brothers Stefane and Antony decide to rob their father, millionaire tycoon Charles Calvert, of $2,000,000 in bank notes which he is transferring by ship from Tangiers to France. To help them carry off the heist, they recruit Duffy, an eccentric American hippie adventurer living in Tangiers. Although dubious at first, Duffy is won over by the prospect of a rich haul and by the seductive Segolene, Stefane's girl friend. Once preparations have been completed, Duffy, Segolene, and Stefane board the ship in disguises and, after a temporary delay in opening the safe, seize the loot. Duffy and Segolene dive overboard with the money and are picked up by Antony, who is waiting for them in a fishing vessel equipped with a helicopter and several fresh cadavers whose pockets have been stuffed with bank notes. Once out of sight of Calvert's ship, the trio board the helicopter and blow up the fishing boat, leaving behind nothing but floating debris and corpses. They reach their hideout on Corsica, and Antony returns to Paris while Duffy and Segolene wait for Stefane to make arrangements for exchanging the currency. Two conflicting cables, presumably from Stefane, lead Duffy to suspect a double-cross. His suspicions are confirmed when he discovers that Segolene is actually Calvert's mistress and that Calvert masterminded the whole scheme in order to keep the stolen money and at the same time collect insurance on it. Duffy quickly contacts the local chief of police and presents Calvert and Segolene with the money, which he claims to have found. The outwitted Calvert has no choice but to give Duffy a $100,000 reward.
Peter Van Dissel
Harry Joe Brown Jr.
Harry Joe Brown Jr.
William P. Cartlidge
Pierre La Salle
Michael Graham Smith
In an interview with author David Del Valle, Cammell once admitted that Duffy was semi-autobiographical. "It's based on an adventure that really happened to a mate of mine, or maybe it was all my lovely group - Susie York, James Mason, James Coburn, and Willie [James] Fox. It's not a serious movie, more of a bon bon, very carefree. Not worth discussing." Despite Cammell's dismissive comments, Duffy could possibly be seen as a revenge fantasy inspired by the screenwriter's relationship with his father who tried to discourage Cammell from abandoning his career as a painter. The main storyline relates an elaborate scheme between two half-brothers, Stefane (Fox) and Antony (John Alderton), who decide to steal one million pounds in bank notes from their shipping magnate father Charles (James Mason) who has disinherited them. The bank notes are being transported in a safe aboard one of Charles's ships, the Osiris, and Stefane and Antony enlist Duffy (James Coburn), a renowned expert at carrying out successful covert operations. Along for the ride and the money is Segolene (Susannah York), who is first introduced as Stefane's girlfriend but soon reveals her true nature as a scheming sociopath who will bed any man who might have the inside track on the big score. When Duffy accuses her of being a slut, she takes offense, protesting "I may be a hooker. I am absolutely not a slut!" In her view, the fine distinction is that a hooker is free to choose her own destiny and customer of choice. When the robbery finally occurs, it isn't the piece de resistance you'd expect for a heist film (unlike Rififi or Topkapi) but a surreal charade in which the thieves are dressed in dayglo-colored wigs, kabuki-like masks and frogman gear. They escape into the sea with the loot and then the double and triple crossings begin but in a deceptively casual way that seems perfectly right for the amoral universe in which Duffy takes place.
Allegedly, Cammell was so unhappy with the finished version of Duffy that he vowed to direct his own screenplays in the future so he could control the entire process. In hindsight, Robert Parrish does seem like a curious choice for director but he did have an eclectic filmography that includes the 1951 film noir The Mob, the underrated Western The Wonderful Country  and a chic adaptation of two Irvin Shaw short stories, In the French Style  starring Jean Seberg. Duffy has a stoned-out, theatre of the absurd quality in which pacing and traditional storytelling techniques seem to be missing from the mix. Music, however, is an important part of the tapestry and the score by composer/songwriter Ernie Freeman is an organ-driven psychedelic rock delight that transforms several scenes into stand-alone music videos; one in particular features James Coburn wandering through a jet set beach scene to the sounds of Lou Rawls singing "I'm Satisfied."
The making of Duffy appears to have been a lark for most of the cast and crew and who could complain when you're on location off the coast of Southern Spain which has never looked more dazzling and beautiful in Otto Heller's Technicolor cinematography? Heller, who lensed more than 200 features, is probably best known for The Crimson Pirate , Michael Powell's Peeping Tom  and The Ipcress File , for which he won a BAFTA (British Academy of Film & Television Arts) award.
While James Coburn, Susannah York and James Fox often seem exposed and out of their comfort zone amid the surreal proceedings, James Mason seems to be enjoying himself immensely as a filthy rich aristocrat. James Coburn recalled in Sheridan Morley's biography James Mason: Odd Man Out, "We were to do three films together, but even by the end of the third I never really knew him; the curious thing about playing a scene with James was that you'd do your bit and then wait for his reaction, which didn't seem to come at all. Not at least until next day, when you'd see the rushes and realize that he had done it all, but so intimately that only the camera could pick it up. There was a magical thing that used to happen to his face on the screen: as he got older he got even more introspective, but he had always been the most wonderful film actor. You have only to look at Julius Caesar, where all the others are playing Shakespeare and he is playing Brutus. Unlike Niven or Granger he never really wanted to tell long anecdotes or hold people's attention at parties. He just used to watch them all the time, as if he was about to sketch them. Sometimes, of course, that's what he was doing."
James Fox, of course, would go on to work with his friend Donald Cammell on the latter's next film Performance and it is interesting to see Fox's progression as an actor from The Servant , in which he plays a weak-willed Oxbridge graduate who is manipulated by his sinister manservant, to his role as a hedonist with criminal impulses in Duffy, to his violent thug on the run in Performance. Apparently the latter film proved to be such a disturbing personal experience for him that he dropped out of the acting profession for years and didn't return to the screen until No Longer Alone in 1978. Cammell also battled personal demons for many years and saw many of his film projects aborted or rejected by the studios. He finally gave up the fight in April of 1996 in Los Angeles and committed suicide by shotgun.
Producer: Martin Manulis
Director: Robert Parrish
Screenplay: Donald Cammell, Harry Joe Brown, Jr.
Cinematography: Otto Heller
Art Direction: Philip Harrison
Music: Ernie Freeman
Film Editing: Willy Kemplen
Cast: James Coburn (Duffy), James Mason (Charles Calvert), James Fox (Stefane Calvert), Susannah York (Segolene), John Alderton (Antony Calvert), Guy Deghy (Captain Schallert), Carl Duering (Bonivet), Tutte Lemkow (Spaniard), Marne Maitland (Abdul), Andre Maranne (Garain), Barry Shawzin (Bakirgian).
by Jeff Stafford
Donald Cammell - A Life on the Wild Side by Rebecca and Sam Umland (Fab Press)
James Mason: Odd Man Out by Sheridan Morley (Harper & Row)
Released in Great Britain in October 1968. Location scenes filmed in Almeria, Spain. The working title of this film is Avec-Avec.
Released in United States Fall September 1968
Released in United States Fall September 1968