Full-Tilt Boogie


1h 40m 1997

Brief Synopsis

This documentary about the making of Quentin Tarantino and Robert Rodriguez's "From Dusk 'Til Dawn" (USA/1996) follows producer Lawrence Bender and Paul Hellerman, the cast and crew from a hot set in Hollywood to an even hotter set in Barstow, California--with temperatures soaring above 100 degrees-

Film Details

Also Known As
Full Tilt Boogie
MPAA Rating
R
Genre
Documentary
Release Date
1997
Production Company
Avid Technology, Inc.; Camtec Motion Picture Camera Rental; Gail Gentry; Lichter, Grossman, Nichols, Adler & Feldman, Inc.; Miramax International; Title House, Inc.; Wilcox Sound
Distribution Company
ALLIANCE RELEASING/MIRAMAX; Alliance Releasing; Alliance Releasing; Bac Films Distribution; MIRAMAX; Miramax Home Entertainment
Location
Barstow, California, USA; Hollywood, California, USA

Technical Specs

Duration
1h 40m

Synopsis

This documentary about the making of Quentin Tarantino and Robert Rodriguez's "From Dusk 'Til Dawn" (USA/1996) follows producer Lawrence Bender and Paul Hellerman, the cast and crew from a hot set in Hollywood to an even hotter set in Barstow, California--with temperatures soaring above 100 degrees--where union difficulties, out-of-control special effects and a blinding dust storm threaten to shut down the production.

Crew

Ken Ahern

Sound

Mark Allan

Other

Keith Allen

Other

Michael Ashe

1st Assistant Camera

Joaquin Avellan

Sound Assistant

Lawrence Bender

Other

Cary Berger

Music Editor

Cary Berger

Music

Matt Beville

Music Editor

Matt Beville

Sound Transfer

Ridge Blackwell

Other

April Blair

Assistant

April Blair

Assistant

April Blair

Production Coordinator

April Blair

Production Coordinator

Mike Brandt

Post-Production Supervisor

Mike Brandt

1st Assistant Editor

Eddie Bydalek

Sound Transfer

Nick Carpol

Assistant (To Post-Supervisor)

Edward C Carr

Re-Recording Mixer

George Clooney

Other

Tom Eaton

Music Supervisor

Erik Flockoi

Sound Transfer

Bob Frederickson

Color Timer

Mark Friedman

Associate Producer

Christopher J. Gallo

Director Of Photography

Christopher J. Gallo

Other

Marshall Garlington

Additional Recording Mixer

Gail Gentry

Insurance Services Provider

Rana Joy Glickman

Producer

Carlos K Goodman

Legal Services

Dana Gustafson

Sound Assistant

Dale Hall

Post-Production Supervisor

Dale Hall

Additional Photography

David Hayes

Other

Paul Hellerman

Other

William Jacobs

Sound Editor

Harvey Keitel

Other

Dominic Kelly

Music

Alfie Kiernan

Post-Production Assistant

Jon Kuyper

Post-Production Executive

Juliette Lewis

Other

Jacqueline Liebman-gentile

Production Coordinator

Melissa Limmer

Other

Catherine Lorenz

Title Designer

Brian Lucas

Stage Recordist

Maeve Manion

Production Manager

Robert Meadows

1st Additional Assistant Camera

Harry Miller

Sound Editor

Alexandra Norberg

Production Coordinator

Alexandra Norberg

Assistant

Erin K. O'brien

Post-Production Assistant

Stacy O'neill

Production Accountant

Dan Ortiz

Sound Director

Michael Parks

Other

Dennis Patterson

Re-Recording Mixer

Juan Peralta

Additional Recording Mixer

Maureen Pitz

Post-Production Assistant

Joel Quizon

Post-Production Assistant

Timothy T Rakoczy

Sound Assistant

Joy Rencher

Negative Cutter

Robert Rodriguez

Other

Anthony Santiago

2nd Assistant Editor

Ed Santiago

1st Assistant Editor

Lonnie Sill

Music Supervisor

Lawrence W Siroky

Post-Production Supervisor

Charles Ewing Smith

Supervising Sound Editor

Jenny Spring

Key Set Production Assistant

Zac Stanford

Sound Synching

Tim Talbott

Post-Production Coordinator

Quentin Tarantino

Other

Ken Teaney

Additional Recording Mixer

Brian Touhy

Lead Researcher

Katherine Vahan

2nd Assistant Camera

Fulvio Valsangiacomo

2nd Assistant Editor

Daniel P Venti

1st Additional Assistant Camera

Fred Williamson

Other

Bob Wishnevsky

Sound Assistant

Marcel Wolthers

Sound Synching

Josh Zeman

Production Manager

Joshua Zeman

Production Manager

Ozzie Zornizer

Other

Lauren Zuckerman

Editor

Film Details

Also Known As
Full Tilt Boogie
MPAA Rating
R
Genre
Documentary
Release Date
1997
Production Company
Avid Technology, Inc.; Camtec Motion Picture Camera Rental; Gail Gentry; Lichter, Grossman, Nichols, Adler & Feldman, Inc.; Miramax International; Title House, Inc.; Wilcox Sound
Distribution Company
ALLIANCE RELEASING/MIRAMAX; Alliance Releasing; Alliance Releasing; Bac Films Distribution; MIRAMAX; Miramax Home Entertainment
Location
Barstow, California, USA; Hollywood, California, USA

Technical Specs

Duration
1h 40m

Quotes

Trivia

Miscellaneous Notes

Limited Release in United States July 31, 1998

Released in United States Summer July 31, 1998

Released in United States on Video October 10, 2000

Released in United States 1997

Released in United States March 1997

Released in United States September 1997

Released in United States 1998

Released in United States March 1998

Shown at Venice International Film Festival (Special Events) August 27 - September 6, 1997.

Shown at South by Southwest (SXSW) Film Festival in Austin, Texas March 7-15, 1997.

Shown at Deauville Film Festival (Panorama) September 5-14, 1997.

Shown at Seattle International Film Festival (Midnight Series) May 21 - June 14, 1998.

Shown at Santa Barbara International Film Festival March 5-15, 1998.

Limited Release in United States July 31, 1998

Released in United States Summer July 31, 1998

Released in United States on Video October 10, 2000

Released in United States 1997 (Shown at Venice International Film Festival (Special Events) August 27 - September 6, 1997.)

Released in United States March 1997 (Shown at South by Southwest (SXSW) Film Festival in Austin, Texas March 7-15, 1997.)

Feature directorial debut for Sarah Kelly.

Released in United States September 1997 (Shown at Deauville Film Festival (Panorama) September 5-14, 1997.)

Released in United States 1998 (Shown at Seattle International Film Festival (Midnight Series) May 21 - June 14, 1998.)

Released in United States March 1998 (Shown at Santa Barbara International Film Festival March 5-15, 1998.)