All Night Long


1h 27m 1981

Brief Synopsis

George Dupler is fed up with his life. He hates his job as the manager of an all-night drugstore, the fact that he is in debt, and he is also fairly dissatisfied with his wife Helen, so enters into an affair with one of her relatives.

Film Details

MPAA Rating
R
Genre
Comedy
Romance
Release Date
1981

Technical Specs

Duration
1h 27m

Synopsis

George Dupler is fed up with his life. He hates his job as the manager of an all-night drugstore, the fact that he is in debt, and he is also fairly dissatisfied with his wife Helen, so enters into an affair with one of her relatives.

Crew

Richard Bonynge

Music Conductor

Charles L Campbell

Sound Editor

David S Cass

Stunt Coordinator

Dottie Catching

Stunts

Anita Dawn

Casting

Georges Delerue

Music Conductor

Terence A. Donnelly

Associate Producer

Terence A. Donnelly

Assistant Director

Louis L Edemann

Sound Effects Editor

Wayne Fitzgerald

Titles

Donna Garrett

Stunts

Leonard Goldberg

Producer

Betty Abbott Griffin

Script Supervisor

Dave Grusin

Song

Abe Haberman

Makeup

Richard Hazard

Music

Len Hekel

Photography

Roger Heman

Sound

Armando Huerta

Assistant Director

Rachel Igel

Assistant Editor

Peter Jamison

Production Designer

Albert Jeyte

Makeup

Bill Johnson

Director Of Photography

Virginia Katz

Assistant Editor

John Kean

Sound

Fay Kinkel

Special Effects

Robert Knudson

Sound

Steven Koflanovich

Production Assistant

Fay Konkell

Special Effects

Robert Latham Brown

Unit Production Manager

Philip Lathrop

Director Of Photography

Gary Liddiard

Makeup

Alan Lindgren

Song

Carl Manoogian

Key Grip

Robert E Mayer

Music Editor

Nancy Mcardle

Costume Supervisor

Amy Mcelhenney

Other

Albert Morrone

Sound

Gerald Moss

Props

Ira Newborn

Music

Jose Padilla

Song

David Pettijohn

Sound Effects Editor

Kaye Pownall

Hair

Wayne Reed

Costume Supervisor

W.d. Richter

Screenplay

W.d. Richter

Song

Marion Rothman

Editor

Frank Roy

Associate Producer

Wayne Rust

Hair

Linda Spheeris

Set Decorator

Leopold Stokowski

Music Conductor

Michael Tronick

Music Editor

L Turner

Song

Giuseppe Verdi

Music

Richard Wagner

Music

Jerry Weintraub

Producer

Hap Weyman

Unit Production Manager

Albert Wolsky

Costumes

Film Details

MPAA Rating
R
Genre
Comedy
Romance
Release Date
1981

Technical Specs

Duration
1h 27m

Articles

Hamilton Camp (1934-2005)


Hamilton Camp, the diminutive yet effervescent actor and singer-songwriter, who spent nearly his entire life in show business, including several appearances in both television and films, died of a heart attack on October 2 at his Los Angeles home. He was 70.

He was born October 30, 1934, in London, England. After World War II, he moved to Canada and then to Long Beach with his mother and sister, where the siblings performed in USO shows. In 1946, he made his first movie, Bedlam starring Boris Karloff as an extra (as Bobby Camp) and continued in that vein until he played Thorpe, one of Dean Stockwell's classmates in Kim (1950).

After Kim he received some more slightly prominent parts in films: a messenger boy in Titanic (1953); and a mailroom attendant in Executive Suite (1954), but overall, Camp was never a steadily working child actor.

Camp relocated to Chicago in the late '50s and rediscovered his childhood passion - music. He began playing in small clubs around the Chicago area, and he struck oil when he partnered with a New York based folk artist, Bob Gibson in 1961. The pair worked in clubs all over the midwest and they soon became known for their tight vocal harmonies and Gibson's 12-string guitar style. Late in 1961, they recorded an album - Gibson and Camp at the Gate of Horn, the Gate of Horn being the most renowned music venue in Chicago for the burgeoning folk scene. The record may have aged a bit over the years, but it is admired as an important progress in folk music by most scholars, particularly as a missing link between the classic era of Woody Guthrie and the modern singer-songwriter genre populated by Bob Dylan and Joan Baez.

Gibson and Camp would split within two years, and after recording some albums as a solo artist and a brief stint with Chicago's famed Second City improvisational comedy troupe, Camp struck out on his own to work as an actor in Los Angeles. His changed his name to Hamilton from Bob, and despite his lack of vertical presence (he stood only 5-foot-2), his boundless energy and quick wit made him handy to guest star in a string of familiar sitcoms of the late '60s: The Monkees, Bewitched, and Love, American Style. By the '70s there was no stopping him as he appeared on virtually every popular comedy of the day: The Mary Tyler Moore Show, M*A*S*H, Laverne & Shirley, Three's Company, and WKRP in Cincinnati.

Eventually, Camp's film roles improved too, and he did his best film work in the latter stages of his career: Blake Edward's undisciplined but still funny S.O.B. (1981); Paul Bartel's glorious cult comedy Eating Raoul (1982); and Clint Eastwood's jazz biopic on Charlie Parker Bird (1988). Among his recent work was a guest spot last season as a carpenter on Desperate Housewives, and his recent completion of a Las Vegas based comedy Hard Four which is currently in post-production. Camp is survived by six children and thirteen grandchildren.

by Michael T. Toole
Hamilton Camp (1934-2005)

Hamilton Camp (1934-2005)

Hamilton Camp, the diminutive yet effervescent actor and singer-songwriter, who spent nearly his entire life in show business, including several appearances in both television and films, died of a heart attack on October 2 at his Los Angeles home. He was 70. He was born October 30, 1934, in London, England. After World War II, he moved to Canada and then to Long Beach with his mother and sister, where the siblings performed in USO shows. In 1946, he made his first movie, Bedlam starring Boris Karloff as an extra (as Bobby Camp) and continued in that vein until he played Thorpe, one of Dean Stockwell's classmates in Kim (1950). After Kim he received some more slightly prominent parts in films: a messenger boy in Titanic (1953); and a mailroom attendant in Executive Suite (1954), but overall, Camp was never a steadily working child actor. Camp relocated to Chicago in the late '50s and rediscovered his childhood passion - music. He began playing in small clubs around the Chicago area, and he struck oil when he partnered with a New York based folk artist, Bob Gibson in 1961. The pair worked in clubs all over the midwest and they soon became known for their tight vocal harmonies and Gibson's 12-string guitar style. Late in 1961, they recorded an album - Gibson and Camp at the Gate of Horn, the Gate of Horn being the most renowned music venue in Chicago for the burgeoning folk scene. The record may have aged a bit over the years, but it is admired as an important progress in folk music by most scholars, particularly as a missing link between the classic era of Woody Guthrie and the modern singer-songwriter genre populated by Bob Dylan and Joan Baez. Gibson and Camp would split within two years, and after recording some albums as a solo artist and a brief stint with Chicago's famed Second City improvisational comedy troupe, Camp struck out on his own to work as an actor in Los Angeles. His changed his name to Hamilton from Bob, and despite his lack of vertical presence (he stood only 5-foot-2), his boundless energy and quick wit made him handy to guest star in a string of familiar sitcoms of the late '60s: The Monkees, Bewitched, and Love, American Style. By the '70s there was no stopping him as he appeared on virtually every popular comedy of the day: The Mary Tyler Moore Show, M*A*S*H, Laverne & Shirley, Three's Company, and WKRP in Cincinnati. Eventually, Camp's film roles improved too, and he did his best film work in the latter stages of his career: Blake Edward's undisciplined but still funny S.O.B. (1981); Paul Bartel's glorious cult comedy Eating Raoul (1982); and Clint Eastwood's jazz biopic on Charlie Parker Bird (1988). Among his recent work was a guest spot last season as a carpenter on Desperate Housewives, and his recent completion of a Las Vegas based comedy Hard Four which is currently in post-production. Camp is survived by six children and thirteen grandchildren. by Michael T. Toole

Quotes

Trivia

Miscellaneous Notes

Released in United States March 1981

Released in United States Spring March 6, 1981

Released in United States March 1981

Released in United States Spring March 6, 1981