Cast & Crew
Nora Taylor and Maggie Ryan run a boardinghouse furnished with and peopled by relics. When the bank threatens to foreclose on the mortgage unless they pay their back taxes, Nora, who lives her life through the little stories she makes up, has confidence that Maggie's daughter Sarah Jane, an aspiring singer, will become a big success and save the house. Nora's dream is shattered when the feisty Sarah appears broke, after having been fired from her sixth job in a row. With Sarah unemployed, their last hope becomes Nora's son Tommy, a struggling young composer who has been away for five years. Tommy has more trouble than he can handle, however, when his boss, gambler Chips Maguire who is wanted for the murder of a mobster, implicates Tommy in the murder and then demands that Tommy hide him at his mother's boardinghouse. Thus, Tommy returns home with Chips, whom he introduces as Mr. Grasselli, a man with a nervous condition who needs complete privacy. While cleaning Chips' room one day, Nora confides to him her latest story in which Tommy becomes a great composer and Sarah, a famous singer, and they fall in love. Later, when Sarah hears Tommy playing the composition he has written, she suggests that they team up, but Tommy, tormented by the threat of Chips turning him in for murder, rejects the idea. However, when Sarah recognizes Chips as the gambler Chips Maguire who is wanted for murder, she determines to maneuver him into providing financial backing for them. Chips offers the backing himself when, bored by his confinement, he learns that Nora and Maggie have only twenty-four hours to pay their taxes and suggests turning the boardinghouse into a gay nineties club. On opening night, one of the boarders becomes tipsy and tips the police to Chips's whereabouts. When the officers appear to arrest him, Chips, swayed by Nora and Maggie's kindness, has a change of heart and clears Tommy by accepting the blame himself. With the success of the club, Nora's story all comes true as Tommy and Sarah achieve recognition for their talents and fall in love.
The Elderbloom Chorus
Bender And Daum
White And Stanley
The Lady Killer's Quartet
Leo F. Forbstein
Jack L. Warner
It All Came True
Boarding house co-owner Nora Taylor (Jessie Busley) is a long-suffering mother who makes up stories as an alternate reality to a life that is short on money and happy endings. She hasn't seen her son, fledging composer Tommy (Jeffrey Lynn), in five years when he returns with gangster Chips Maguire (Bogart) in tow, a nightclub-running hustler, who has promised to promote Tommy's songs if the youngster does what he's told. Tommy gets in a bind when Chips kills a man with Tommy's gun, and he agrees to hide him in the boarding house.
Tommy and Chips (now under the name Grasselli) arrive just behind Sal Ryan (Ann Sheridan), Tommy's childhood companion and sparring partner, whose mother (Una O'Connor) is the resident cook. Sal is a singing showgirl who once worked for Chips, and when she discovers that he is the mysterious new boarder, she convinces Tommy that they should audition for him as a duo. She gets Chips to help the two old women, who have adopted him as a needy son, to save the house from foreclosure. Chips gets up to his old tricks by opening a nightclub downstairs to make the place pay for itself and along the way gets a chance to redeem himself. Notable appearances also include Zasu Pitts as intrigue-hungry Miss Flint and Felix Bressart as The Great Boldini, the comic star of Maguire's new floor show.
Bogart made 17 films for Warner Bros. between 1938 and 1940, waiting for the role that would shoot him to the top of his profession. It All Came True helped him get there in a role declined by George Raft and John Garfield.
Though some reviewers expressed amazement that such a hackneyed concept as a boarding house full of retired entertainers should find footing at Warner Bros. and with a good cast to boot, It All Came True, based on the novel Better Than Life by Louis Bromfield, did well at the box office.
But Variety, for one, had mixed things to say about the film:
"... [T] he story has as many angles as a Hollywood agent. The idea of the boarding house guests doing a weekly variety show for their own amazement is in itself more than fictional license; turning the place into a swank nitery, with an elaborate show in a parlor larger than the main hall of 'Rebecca's' Manderley, is outright presumption that all people who attend motion pictures also smoke opium."
The same reviewer went on to say:
"Ann Sheridan as a femme loaded with s.a. [sex appeal] and Ann Sheridan as a dramatic actress are two things distinctly apart. She fits the first, but the second is beyond her present capabilities...Lynn is quite wooden opposite her, looking bad in comparison to his work in some previous pics....Acting standout is Bogart, who shows a fine flair for deadpan comedy."
Other reviewers were more enthusiastic about the film as a whole, including Monthly Film Bulletin, who found Bogart to be "in his element" and said, "[T]his rather naïve and sentimental story contrives to be, on the whole, surprisingly good entertainment. It has a little of everything."
Author Louis Bromfield was a good friend of Bogart and even let the actor use his Ohio farm for his wedding to Lauren Bacall. Bromfield wrote a letter to the film's famed executive producer, Hal B. Wallis (who did 31 films with Bogart), just prior to the release of It All Came True, singing the actor's praises and adding, "I doubt that his talents as a comedian, which are very great, have been enough appreciated."
With the weight of Bogart's positive reviews for It All Came True, his career did soon move on to more complex roles, notably High Sierra (1941), on which he was reunited with Wallis and producer Mark Hellinger.
Producer: Mark Hellinger
Director: Lewis Seiler
Screenplay: Michael Fessier, Lawrence Kimble; Louis Bromfield (story "Better Than Life"); Delmer Daves (treatment, uncredited)
Cinematography: Ernie Haller
Art Direction: Max Parker
Music: Edward B. Claypoole, Abe Holzmann, Howard Jackson, Max Steiner (all uncredited)
Film Editing: Thomas Richards
Cast: Ann Sheridan (Sarah Jane Ryan aka Sal), Jeffrey Lynn (Tommy Taylor), Humphrey Bogart (Grasselli aka Chips Maguire), Zasu Pitts (Miss Flint), Una O'Connor (Maggie Ryan), Jessie Busley (Mrs. Nora Taylor), John Litel (Mr. 'Doc' Roberts), Grant Mitchell (Mr. Rene Salmon), Felix Bressart (The Great Boldini), Charles Judels (Henri Pepi de Bordeaux).
by Emily Soares
It All Came True
The working titles of this film were The Roaring Nineties and And It All Came True.
Released in United States 1940
Released in United States 1940