Cast & Crew
Vittorio De Sica
In ancient Bagdad, Aladdin daydreams of great wealth and royal processions. One day his mother buys him a little lamp, and the lad accidentally discovers that it contains a genie who can grant him three wishes. Aladdin uses his first wish to escape from some merchants he has robbed and then sets out by caravan to attend the wedding of Princess Zaina and Prince Moluk. Accompanying him is Djalma, whose love for Aladdin is unrequited, and his loyal bodyguard, Omar. When Aladdin and Omar are captured by man-killing Amazon huntresses, the genie is once more summoned, and he transports the pair to an Arab camp near the royal city of Basora. Meanwhile, the wicked grand vizier has taken Prince Moluk prisoner and is planning to marry the princess himself; but Aladdin and his friends sneak into the palace and expose the grand vizier's scheme. He retreats with his guards and promises to return to destroy all those who oppose him, but Aladdin uses his last wish to rout the enemy and save the city. The prince and princess are wed, and Aladdin is lavishly rewarded by the sultan and reunited with Djalma.
Vittorio De Sica
Tonino Delli Colli
Angelo Francesco Lavagnino
Joseph E. Levine
Orchestra Cinefonica Italiana
Donald O'Connor, 1925-2003
Born Donald David Dixon O' Connor in Chicago on August 28, 1925, he was raised in an atmosphere of show business. His parents were circus trapeze artists and later vaudeville entertainers, and as soon as young Donald was old enough to walk, he was performing in a variety of dance and stunt routines all across the country. Discovered by a film scout at age 11, he made his film debut with two of his brothers in Melody for Two (1937), and was singled out for a contract by Paramount Pictures. He co-starred with Bing Crosby and Fred MacMurray in Sing, You Sinners (1938) and played juvenile roles in several films, including Huckleberry Finn in Tom Sawyer - Detective (1938) and the title character as a child in Beau Geste (1939).
As O'Connor grew into adolescence, he fared pretty well as a youthful hoofer, dancing up a storm in a string of low-budget, but engaging musicals for Universal Studios (often teamed with the equally vigorous Peggy Ryan) during World War II. Titles like What's Cookin', Get Hep to Love (both 1942), Chip Off the Old Block and Strictly in the Groove (both 1943) made for some fairly innocuous entertainment, but they went a long way in displaying O'Connor's athletic dancing and boyish charm. As an adult, O'Connor struck paydirt again when he starred opposite a talking mule (with a voice supplied by Chill Wills) in the enormously popular Francis (1949). The story about an Army private who discovers that only he can communicate with a talking army mule, proved to be a very profitable hit with kids, and Universal went on to star him in several sequels.
Yet if O'Connor had to stake his claim to cinematic greatness, it would unquestionably be his daringly acrobatic, brazenly funny turn as Cosmo Brown, Gene Kelly's sidekick in the brilliant Singin' in the Rain (1952). Although his self-choreographed routine of "Make "Em Laugh" (which includes a mind-bending series of backflips off the walls) is often singled out as the highlight, in truth, his whole performance is one of the highlights of the film. His deft comic delivery of one-liners, crazy facial expressions (just watch him lampoon the diction teacher in the glorious "Moses Supposes" bit) and exhilarating dance moves (the opening "Fit As a Fiddle" number with Kelly to name just one) throughout the film are just sheer film treats in any critic's book.
After the success of Singin' in the Rain, O'Connor proved that he had enough charisma to command his first starring vehicle, opposite Debbie Reynolds, in the cute musical I Love Melvin (1953). He also found good parts in Call Me Madam (1953), There's No Business Like Show Business (1954), and Anything Goes (1956). Unfortunately, his one attempt at a strong dramatic role, the lead in the weak biopic The Buster Keaton Story (1957) proved to be misstep, and he was panned by the critics.
By the '60s, the popularity of musicals had faded, and O'Connor spent the next several years supporting himself with many dinner theater and nightclub appearances; but just when it looked like we wouldn't see O'Connor's talent shine again on the small or big screen, he found himself in demand at the dawn of the '90s in a string of TV appearances: Murder She Wrote, Tales From the Crypt, Fraser, The Nanny; and movies: Robin Williams' toy-manufacturer father in Toys (1992), a fellow passenger in the Lemmon-Matthau comedy, Out to Sea (1997), that were as welcoming as they were heartening. Survivors include his wife, Gloria; four children, Alicia, Donna, Fred and Kevin; and four grandchildren.
by Michael T. Toole
Donald O'Connor, 1925-2003
This one of three films that Lux was going to produce starring Steve Reeves (they had co-produced _Hercules Unchained (1960)_ ). They were able to get Reeves for the other two productions, _Thief of Bagdad (1961)_ and _Morgan the Pirate (1961)_ .
Filmed on location in Rome and Tunisia. Opened in Paris as Les mille et une nuits in February 1962; running time: 100 min; in Rome as Le meraviglie di Aladino in July 1962; running time: 100 min.