Geronimo


1h 41m 1962

Brief Synopsis

A defiant Apache warrior tries to unite his tribe against the U.S. Army.

Film Details

Genre
Adventure
Western
Biography
Release Date
Jan 1962
Premiere Information
Albuquerque, New Mexico, opening: 28 Apr 1962
Production Company
Bedford Pictures; Levy-Gardner-Laven Productions
Distribution Company
United Artists
Country
United States

Technical Specs

Duration
1h 41m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

Geronimo and his remaining Apache warriors, tired of warring with the governments of the United States and Mexico, surrender in 1883 to the U. S. Cavalry in return for the promise of food, shelter, and land of their own. They find instead that they are expected to live on San Carlos Reservation as humble farmers. Teela, the reservation schoolteacher, tries to persuade Geronimo to learn reading and writing, so as to share in the white man's civilization. The government representative then conspires to sell part of the Indian reservation to a cattle dealer, and Geronimo and his tribe flee to Mexico. Once there, they renew their war with the cavalry in the hope of arousing national sympathy for their cause. They make raids for food and arms and force Teela to return with them. She becomes Geronimo's wife. The tiny band continues to fight against enormous odds. Word of the injustice they have suffered finally reaches Washington, and Senator Conrad is sent to investigate the uprising. As he arrives, the Apaches are being cornered and are about to be annihilated. Conrad succeeds in convincing Geronimo that the United States Government is prepared to sign a new and more just treaty, and the Apaches again surrender.

Film Details

Genre
Adventure
Western
Biography
Release Date
Jan 1962
Premiere Information
Albuquerque, New Mexico, opening: 28 Apr 1962
Production Company
Bedford Pictures; Levy-Gardner-Laven Productions
Distribution Company
United Artists
Country
United States

Technical Specs

Duration
1h 41m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Articles

Geronimo (1962)


Blond, all-American Chuck Connors, best known for his title role in the TV Western series The Rifleman, is cast wildly against type in Geronimo (1962), the most legendary of the Apache leaders. To avoid the starvation or massacre of his people, Geronimo surrenders and agrees to live out his life on a reservation. But when his treaty is broken by the U.S. government - an historical event here placed rather deceptively on the shoulders of a single Indian-hating Army captain - the Apache flees to Mexico and returns to his warrior ways.

Geronimo was one of the earliest revisionist Westerns that sought to depict Native Americans in a more sympathetic light. It portrays them not as bloodthirsty savages but as victims of "Manifest Destiny" who are merely defending their land and way of life from the White intruders. Geronimo hedges its message, however, by providing an upbeat resolution that suggests the warrior chief was ultimately successful in obtaining fair treatment for all Native Americans. The facts, of course, are far different.

The real-life Geronimo (the Mexican name for Goyathlay) came to prominence as a noted warrior under the equally legendary Cochise, chief of the Chiricahua Apache of the Gila Wilderness area (one of the most beautiful parts of the Southwest). After Cochise's death in 1874, Geronimo took leadership, and the next dozen years were marked by surrenders, treaties, and hostilities renewed over and over again. In 1886 (roughly the time of this story), he was pursued into Mexico by 42 companies of the American army and 4,000 Mexican troops, equipped, as an account written at the time put it, with "the best military apparatus of modern warfare, including steam, electricity, and the heliostat" (a device for concentrating the sun's rays in one spot). After his capture, Geronimo unconditionally surrendered for the last time. He was sent into exile, first to Florida, then Oklahoma, where he was reduced to selling pictures of himself to tourists. The last Indian warrior to surrender, Geronimo became an exhibit at the 1904 St. Louis World's Fair just shortly before his death.

The character of Geronimo has appeared in dozens of motion pictures since the silent era, but rarely played by a Native American, let alone a bona fide Apache. The few times he was, the role was played twice each by Chief Thundercloud and Jay Silverheels (best known as Tonto, the sidekick to TV's Lone Ranger) and once by Iron Eyes Cody, who in the 70s became an ecological icon as the Indian who weeps over the destruction of America's natural beauty in a series of public service ads. Cody's Indian heritage, however, was questioned by a 1996 newspaper article that claimed he was, in fact, Italian, an assertion Cody denied.

In addition to Connors, none of the Apaches in this movie are played by real Native Americans. Most of them are played by Latino actors, which was the norm throughout film history. Only Kamala Devi, Connors' then wife, was a true Indian - but of the Bombay variety.

Producer/Director: Arnold Laven
Screenplay: Pat Fielder
Cinematography: Alex Phillips
Editing: Marsh Hendry
Art Direction: Roberto Silva
Original Music: Hugo Friedhofer
Cast: Chuck Connors (Geronimo), Kamala Devi (Teela), Ross Martin (Mangus), Pat Conway (Maynard), Adam West (Delahay), Denver Pyle (Senator Conrad), Armando Silvestre (Natchez), Lawrence Dobkin (Gen. George A. Cook), Enid Jaynes (Huera).
C-103m. Letterboxed.

by Rob Nixon
Geronimo (1962)

Geronimo (1962)

Blond, all-American Chuck Connors, best known for his title role in the TV Western series The Rifleman, is cast wildly against type in Geronimo (1962), the most legendary of the Apache leaders. To avoid the starvation or massacre of his people, Geronimo surrenders and agrees to live out his life on a reservation. But when his treaty is broken by the U.S. government - an historical event here placed rather deceptively on the shoulders of a single Indian-hating Army captain - the Apache flees to Mexico and returns to his warrior ways. Geronimo was one of the earliest revisionist Westerns that sought to depict Native Americans in a more sympathetic light. It portrays them not as bloodthirsty savages but as victims of "Manifest Destiny" who are merely defending their land and way of life from the White intruders. Geronimo hedges its message, however, by providing an upbeat resolution that suggests the warrior chief was ultimately successful in obtaining fair treatment for all Native Americans. The facts, of course, are far different. The real-life Geronimo (the Mexican name for Goyathlay) came to prominence as a noted warrior under the equally legendary Cochise, chief of the Chiricahua Apache of the Gila Wilderness area (one of the most beautiful parts of the Southwest). After Cochise's death in 1874, Geronimo took leadership, and the next dozen years were marked by surrenders, treaties, and hostilities renewed over and over again. In 1886 (roughly the time of this story), he was pursued into Mexico by 42 companies of the American army and 4,000 Mexican troops, equipped, as an account written at the time put it, with "the best military apparatus of modern warfare, including steam, electricity, and the heliostat" (a device for concentrating the sun's rays in one spot). After his capture, Geronimo unconditionally surrendered for the last time. He was sent into exile, first to Florida, then Oklahoma, where he was reduced to selling pictures of himself to tourists. The last Indian warrior to surrender, Geronimo became an exhibit at the 1904 St. Louis World's Fair just shortly before his death. The character of Geronimo has appeared in dozens of motion pictures since the silent era, but rarely played by a Native American, let alone a bona fide Apache. The few times he was, the role was played twice each by Chief Thundercloud and Jay Silverheels (best known as Tonto, the sidekick to TV's Lone Ranger) and once by Iron Eyes Cody, who in the 70s became an ecological icon as the Indian who weeps over the destruction of America's natural beauty in a series of public service ads. Cody's Indian heritage, however, was questioned by a 1996 newspaper article that claimed he was, in fact, Italian, an assertion Cody denied. In addition to Connors, none of the Apaches in this movie are played by real Native Americans. Most of them are played by Latino actors, which was the norm throughout film history. Only Kamala Devi, Connors' then wife, was a true Indian - but of the Bombay variety. Producer/Director: Arnold Laven Screenplay: Pat Fielder Cinematography: Alex Phillips Editing: Marsh Hendry Art Direction: Roberto Silva Original Music: Hugo Friedhofer Cast: Chuck Connors (Geronimo), Kamala Devi (Teela), Ross Martin (Mangus), Pat Conway (Maynard), Adam West (Delahay), Denver Pyle (Senator Conrad), Armando Silvestre (Natchez), Lawrence Dobkin (Gen. George A. Cook), Enid Jaynes (Huera). C-103m. Letterboxed. by Rob Nixon

Quotes

Trivia

Notes

Filmed in Mexico.

Miscellaneous Notes

Released in United States 1962

Released in United States 1962