Albert Finney


Actor
Albert Finney

About

Also Known As
Albert Finney Jr.
Birth Place
Lancashire, England, GB
Born
May 09, 1936

Biography

A dynamic, often explosive stage and screen star, Albert Finney emerged from the same class at the Royal Academy of Dramatic Art as Peter O'Toole and Alan Bates to become one of the most respected British performers of his generation. After earning his stripes in productions of such classics as "Julius Caesar" (1956) and "Othello" (1959), Finney had his breakthrough performance on the bi...

Family & Companions

Jane Wenham
Wife
Actor. Married in 1957; divorced in 1961; member of Birmingham Rep with Finney.
Zoe Caldwell
Companion
Actor. Had relationship from 1959 to 1960; cited as a correspondent in Jane Wenham's divorce case against Finney.
Audrey Hepburn
Companion
Actor. Became romantically involved during the filming of "Two for the Road" (1967).
Anouk Aimee
Wife
Actor. Married in 1970; divorced in 1978.

Notes

"I grew up secure, and it was dull. Part of the reason I became an actor is that I like my life insecure." --Albert Finney, quoted in "The Great Stage Stars" by Sheridan Morley

About his rapport with fellow RADA alum Tom Courtenay: "When we were doing the filming of 'The Dresser', we just sort of had an ease together when we were working. It was great. Very soon it was clear there was a tremendous sort of trust between us. It's a very comfortable relationship, and we can discuss things quite frankly with each other." --Finney to Los Angeles Times, October 2, 1999

Biography

A dynamic, often explosive stage and screen star, Albert Finney emerged from the same class at the Royal Academy of Dramatic Art as Peter O'Toole and Alan Bates to become one of the most respected British performers of his generation. After earning his stripes in productions of such classics as "Julius Caesar" (1956) and "Othello" (1959), Finney had his breakthrough performance on the big screen as the rakish "Tom Jones" (1963), a role that earned him his first Academy Award nomination. He made himself practically unrecognizable as the titular "Scrooge" (1970) and as famed sleuth Hercule Poirot in "Murder on the Orient Express" (1974). Following a lengthy absence from features to concentrate on the stage, Finney returned to the big screen the following decade for Oscar-nominated turns in "The Dresser" (1983) and "Under the Volcano" (1984). Finney was memorable as a Thompson-wielding Irish mob boss in the Coen Brothers' "Miller's Crossing" (1990). He emerged triumphant again with his Academy Award-nominated performance in "Erin Brockovich" (2000), which opened the doors for supporting parts in big studio films like "The Bourne Ultimatum" (2007) and smaller independents like "Before the Devil Knows You're Dead" (2007), giving the esteemed Finney a new lease on an already distinguished career.

Born on May 9, 1936 in Salford, Lancashire, England, Finney was raised by his father, Albert Sr., a bookie, and his mother, Alice. Educated at Salford Grammar School, he failed his final GCE exams in a whopping five subjects. From the time he was 12 years old, Finney was performing in school plays, logging some 15 productions until the age of 17. Soon he found himself honing his craft at the Royal Academy of Dramatic Art, where he won the Gertrude Lawrence Scholarship during his second and third terms while attending alongside Peter O'Toole, Alan Bates and Brian Bedford. Finney left the Academy in 1955 with the Emile Little Award under his belt, which was bestowed upon students who had the most outstanding character and aptitude for the theater. Following his professional debut with the Birmingham Repertory Theatre's production of "Julius Caesar" (1956), he premiered in London with the company's staging of George Bernard Shaw's "Caesar and Cleopatra" (1956). Two years later, Finney earned critical acclaim opposite Charles Laughton in a West End production of "The Party" (1958).

After his West End triumph, Finney joined the famed Shakespeare Memorial Theatre at Stratford-on-Avon for their 100th anniversary season, performing Cassio in "Othello" (1959), directed by Tony Richardson with Paul Robeson in the lead; reuniting with Laughton to play Lysander in "A Midsummer Night's Dream;" and understudying Laurence Olivier's "Coriolanus." A small role as Olivier's son in Richardson's "The Entertainer" (1960) marked Finney's entreƩ into films, which he followed by receiving excellent reviews for his stage turn in "The Lily-White Boys" (1960). His stellar performance on the London stage as "Billy Liar" (1960) significantly raised his profile, while his portrayal of the dissatisfied, working-class anti-hero Arthur Seaton in "Saturday Night and Sunday Morning" (1961), director Karel Reisz's classic of British "angry young man" cinema brought him worldwide acclaim. Though he quit the starring role in David Lean's "Lawrence of Arabia" (1962) after four days in order to avoid being locked into a long-term film contract, Finney cemented his film stardom as the rakish, picaresque hero "Tom Jones" (1963) in Tony Richardson's lavish, bawdy hit, earning his first Best Actor Oscar nomination.

That same year, Finney took Broadway by storm in John Osborne's "Luther" (1963), again directed by Richardson, before reteaming with Reisz for the remake of "Night Must Fall" (1964), on which Finney also made his debut as producer. In 1965, Finney founded Memorial Enterprises Productions with actor Michael Medwin, which was responsible for several outstanding features including his own directorial debut, "Charlie Bubbles" (1967), Lindsay Anderson's "If..." (1968) and "O Lucky Man!" (1973), as well as numerous plays, including Peter Nichols' "A Day in the Life of Joe Egg" (1968). Much to his chagrin, Finney reinforced his reputation as a romantic leading man opposite Audrey Hepburn as a bickering couple trying to save their happiness in "Two for the Road" (1967). Disdainful of his new sex symbol image, Finney sought to diminish his pretty boy status by hamming his way through the title role of "Scrooge" (1970), a musical take on Charles Dickens' A Christmas Carol, and delivering a tongue-in-cheek portrayal of a Humphrey Bogart wannabe in "Gumshoe" (1971). His reaction to the sex symbol nonsense prompted him to absolutely submerge himself in the role of Agatha Christie's famous sleuth Hercule Poirot for "Murder on the Orient Express" (1974), which garnered the barely recognizable actor his second Oscar nomination for Best Actor.

After "Murder on the Orient Express," Finney appeared in only one film over the next seven years, playing a small role in Ridley Scott's "The Duellists" (1978). From 1972-75, he directed several plays while serving as associate artistic director of London's Royal Court Theatre. Beginning in 1975, Finney concentrated exclusively on stage acting as a member of the National Theatre, portraying the title roles of "Hamlet," Christopher Marlowe's "Tamburlaine the Great," "Macbeth" and Anton Chekhov's "Uncle Vanya." In the early 1980s, Finney returned to the screen with a flurry of new movies, though the first few - "Loophole" (1981), Wolfen" (1981) and "Looker" (1981) - were embarrassments. But later that year he hit his stride in Alan Parker's harrowing portrait of divorce, "Shoot the Moon" (1981), giving a sexually-charged, rage-filled performance as a writer crazed with jealousy that his wife (Diane Keaton) and children seem to be getting along fine without him. After pocketing a nifty sum to play Daddy Warbucks in "Annie" (1982) for John Huston, he essayed the aging Donald Wolfit-like actor-manager to Tom Courtenay's "The Dresser" (1983), with both actors earning Best Actor Oscar nominations for their superb work.

Over the years, Finney made a specialty of playing large, boozy, blustery men and was perhaps never better in this vein than as the gruelingly drunk diplomat of Huston's "Under the Volcano" (1984), adapted from Malcolm Lowry's autobiographical novel set in 1930s Mexico. Without overplaying the extremely difficult role, he imbued the self-destructive man with tragic nobility, earning his fourth Best Actor Oscar nomination for an extraordinary performance. Finney reprised his stage role as a deceptive, drunken Chicago gangster in "Orphans" (1987), demonstrating his flair for dialects with an authentic South Side accent. In the Coen Brothers' "Miller's Crossing" (1990), Finney was an Irish mob boss warring with rival Italians, whose artistry with a Thompson machine gun was felt by four would-be assassins in a memorable shootout set to the Irish ballad, "Danny Boy." Continuing his sting of Irish characters, he was convincing as a tragic constable in a small Northern Irish border town in "The Playboys" (1992), a sexually repressed bus conductor in "A Man of No Importance" (1994) and an Irish cop unable to express his emotions in "The Run of the Country" (1995).

In between his string of Irish-centric roles, Finney dropped his adopted brogue to make a fine, frumpish Southerner for Bruce Beresford's "Rich in Love" (1993), which he later followed with an appearance alongside old RADA chum Tom Courtenay in the London stage production of "Art" (1996). He next played a perpetually besotted television writer in two Dennis Potter-scripted miniseries, "Karaoke" (Bravo, 1996) and "Cold Lazarus" (Bravo, 1996), and the equally sodden Dr. Monygham in the lavish six-hour "Masterpiece Theatre" miniseries, "Joseph Conrad's 'Nostromo'" (PBS, 1997). In "A Rather English Marriage" (PBS, 1999), Finney played a former Royal Air Force squadron leader devastated by the loss of his wife, who forms an unlikely bond with a retired milkman (Tom Courtenay) sent by a concerned social worker to help care for his decaying estate. Following his turn as the grizzled, eccentric writer Kilgore Trout in "Breakfast of Champions" (1999), Finney essayed a former racing commissioner in the film adaptation of Sam Shepard's "Simpatico" (1999). The latter was particularly well-suited to this breeder of horses and son of a bookie.

Though continually working, Finney had by this point in his career found himself less of a known commodity than in years past. But that changed when he was cast by director Steven Soderbergh to star opposite Julia Roberts in the commercial smash "Erin Brockovich" (2000). Finney played the skeptical, but open-minded California lawyer boss of Roberts' titular legal assistant, whose interest in a cancer cluster case gradually re-energizes him for what becomes the case of his career. Just like his character onscreen, Finney's own career was given new life, especially after he earned a Best Supporting Actor nomination - his first such honor in 16 years. That same year, he had a cameo as a chief of staff in Soderbergh's deftly crafted "Traffic" (2000), which he followed with a turn as acclaimed novelist Ernest Hemingway in "Hemingway, The Hunter Of Death" (2001). In 2002, he took on the role of Winston Churchill in the acclaimed HBO drama "The Gathering Storm," a love story offering an intimate look inside the marriage of Winston and Clementine Churchill (Vanessa Redgrave) during a particularly troubled, though little-known moment in their lives.

For his role in "The Gathering Storm," Finney received widespread critical praise, including an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie, a Golden Globe for Best Performance by an Actor in a Miniseries or a Motion Picture Made for Television, a BAFTA TV Award as Best Actor, and a Broadcasting Press Guild Award. He received another Golden Globe nomination the following year, this time for his role as the senior Ed Bloom, a man whose tendency toward fanciful self-mythologizing puts him at odds with his disillusioned son (Billy Crudup) in Tim Burton's "Big Fish" (2003). After voicing Finnis Everglot in Burton's animated "Corpse Bride" (2005), Finney was the deceased uncle of a high-flying London businessman (Russell Crowe) who makes his nephew the sole beneficiary of his modest vineyard in "A Good Year" (2006). In "The Bourne Ultimatum" (2007), Finney played Dr. Albert Hirsch, the man responsible for creating Jason Bourne (Matt Damon) by erasing his former identity and creating a new one through behavior modification. Next he portrayed 18th century clergyman and writer of hymns, John Newton, in Michael Apted's underappreciated historical drama, "Amazing Grace" (2007). Finney teamed up with Sidney Lumet for the director's excellent crime thriller, "Before the Devil Knows You're Dead" (2007), playing a man who suffers the devastating loss of his wife (Rosemary Harris) during the botched robbery of their jewelry store perpetrated by their own desperate and misguided sons (Ethan Hawke and Philip Seymour Hoffman). Surprisingly, Finney was relatively inactive over the next five years, appearing in the next decade with a reprisal of Dr. Hirsch for "The Bourne Legacy" (2012) and a turn as Kincade opposite Daniel Craig's James Bond in "Skyfall" (2012).

Filmography

 

Director (Feature Film)

Charlie Bubbles (1968)
Director

Cast (Feature Film)

The Bourne Legacy (2012)
Skyfall (2012)
Amazing Grace (2007)
Before the Devil Knows You're Dead (2007)
The Bourne Ultimatum (2007)
A Good Year (2006)
Tim Burton's Corpse Bride (2005)
Big Fish (2003)
The Lonely War (2002)
Winston Churchill
The Gathering Storm (2002)
Winston Churchill
Traffic (2001)
Chief of staff
Erin Brockovich (2000)
Editor Masry
Simpatico (1999)
Darryl P Simms; Ryan Ames
Breakfast of Champions (1999)
Washington Square (1997)
Dr Austin Sloper
The Run of the Country (1995)
The Browning Version (1994)
Andrew Crocker-Harris
A Man of No Importance (1994)
Alfie Byrne
The Playboys (1992)
Rich in Love (1992)
Warren Odom
The Endless Game (1990)
The Image (1990)
Miller's Crossing (1990)
Orphans (1987)
Harold
Loophole (1986)
Under the Volcano (1984)
Geoffrey Firmin
Observations Under the Volcano (1984)
Himself
Notes From Under the Volcano (1984)
Himself
Pope John Paul II (1984)
The Dresser (1983)
Shoot the Moon (1982)
George Dunlap
Annie (1982)
Wolfen (1981)
Looker (1981)
Alpha Beta (1976)
Murder on the Orient Express (1974)
Gumshoe (1971)
Eddie Ginley
Scrooge (1970)
Scrooge
The Picasso Summer (1970)
Charlie Bubbles (1968)
Charlie Bubbles
Two for the Road (1967)
Mark Wallace
Night Must Fall (1964)
Danny
The Victors (1963)
Russian soldier
Tom Jones (1963)
Tom Jones
Saturday Night and Sunday Morning (1961)
Arthur Seaton
The Entertainer (1960)

Producer (Feature Film)

Gumshoe (1971)
Executive Producer
Night Must Fall (1964)
Producer

Music (Feature Film)

Tim Burton's Corpse Bride (2005)
Song Performer
Annie (1982)
Song Performer

Misc. Crew (Feature Film)

Observations Under the Volcano (1984)
Other

Cast (Special)

My Uncle Silas (2001)
Uncle Silas
A Rather English Marriage (1999)
Reggie Conyngham-Jervis
Karaoke (1996)
Cold Lazarus (1996)

Cast (TV Mini-Series)

Joseph Conrad's "Nostromo" (1997)
The Green Man (1990)

Life Events

1956

Stage acting debut with Birmingham Repertory Theatre in "Julius Caesar" playing as Brutus

1956

London stage debut with the Birmingham Rep at the Old Vic in George Bernard Shaw's "Caesar and Cleopatra"

1958

Had one scene opposite Charles Laughton in the West End production of "The Party"

1959

Performed at the famed Shakespeare Memorial Theatre as Edgar in "King Lear" and Cassio in "Othello" (directed by Tony Richardson)

1960

First collaboration with Lindsay Anderson, starring in Anderson's stage production of "The Lily-White Boys"

1960

London stage breakthrough, playing the title character in "Billy Liar"; replaced in role by Tom Courtenay who would star in John Schlesinger's 1963 film version

1960

First leading film role in Karel Reisz's "Saturday Night and Sunday Morning" produced by Richardson

1960

Made film acting debut as Olivier's son in "The Entertainer" helmed by Richardson

1961

Played John Osborne's "Luther" in Paris, the Netherlands and London; directed by Richardson

1962

Made stage directing debut with Harold Pinter's "The Birthday Party" at the Citizens Theater in Glasgow, Scotland

1963

Received first Best Actor Oscar nomination, playing the title role in Richardson's "Tom Jones"

1963

Broadway debut, reprising the title role in "Luther" directed by Richardson; earned a Tony nomination

1964

First film as producer (also actor), Reisz's remake of "Night Must Fall"

1965

Formed production company, Memorial Enterprises Ltd. (with actor Michael Medwin)

1967

Co-starred with Audrey Hepburn as a bickering couple in Stanley Donen's "Two for the Road"

1967

Film directing debut (also actor), "Charlie Bubbles"

1968

Won a second Tony nomination for "A Day in the Life of Joe Egg"

1970

Played the title role in Ronald Neame's musical film "Scrooge"

1972

Served as an associate artistic director for the Royal Court Theatre in London; directed several plays

1974

Garnered a second Best Actor Oscar nod as Hercule Poirot in Sidney Lumet's "Murder on the Orient Express"

1975

Joined National Theatre in London to concentrated on stage work

1977

Recorded <i>Albert Finney's Album</i> (Motown Records)

1981

Returned to films in Alan Parker's look at a disintegrating marriage, "Shoot the Moon"; also co-starred Diane Keaton

1982

Pocketed a reported $1 million to play Daddy Warbucks in John Huston's film version of "Annie"

1983

Co-starred with fellow RADA alum Tom Courtenay in a film version of "The Dresser" directed by Peter Yates; both earned Oscar nominations for Best Actor

1984

Formed theater company with actors Richard Johnson and Diana Rigg

1984

Made U.S. TV acting debut in the title role of the CBS TV-movie "Pope John Paul II"

1984

Nominated a fourth time for a Best Actor Academy Award for Huston's "Under the Volcano"

1987

Reprised stage role as a Chicago gangster with an authentic South Side accent in Alan J. Pakula's film adaptation of "Orphans"

1990

Appeared as Leo, the big city Irish crime lord of the Coen brothers' "Miller's Crossing"

1991

Gave rich, rewarding performance as a bedeviled innkeeper in the otherworldly thriller "The Green Man" (A&E)

1992

Showed off an Irish brogue as the local police sergeant of a small Irish village in 1957 for "The Playboys"

1993

Delivered a fine performance as an eccentric Southern father in Bruce Beresford's "Rich in Love"

1994

Offered a masterful performance as the public school teacher-scholar at the center of Mike Figgis' remake of "The Browning Version"

1995

Reteamed with Yates for "The Run of the Country" once again playing an Irish cop

1996

Essayed permanently soused TV writer Daniel Feeld in two Dennis Potter-scripted BBC specials "Karaoke" and "Cold Lazarus" (aired in U.S. on Bravo)

1996

Co-starred with Courtenay in the London stage production of "Art"

1997

Portrayed the domineering doctor father of Jennifer Jason Leigh in Agnieska Holland's film version of Henry James' "Washington Square"

1997

Played the drunken Dr. Monygham in the lavish six-hour "Masterpiece Theatre" miniseries presentation of "Joseph Conrad's 'Nostromo'" (PBS)

1999

Reunited with Courtenay for the "Masterpiece Theatre" drama "A Rather English Marriage" (PBS)

1999

Co-starred with Bruce Willis and Nick Nolte in a film adaptation of Kurt Vonnnegut's "Breakfast of Champions"

1999

Played featured role of a former racing commissioner in "Simpatico"

2000

Made cameo appearance in the Soderbergh directed "Traffic"

2000

Portrayed the title character's lawyer boss Ed Masry in "Erin Brockovich" directed by Steven Soderbergh; received a Best Supporting Actor Academy Award nomination

2000

Starred opposite Bridget Fonda in "Delivering Milo"; screened at Cannes

2001

Cast as Ernest Hemingway in "Hemingway, The Hunter Of Death"

2002

Portrayed Winston Churchill in "The Gathering Storm"; received a SAG nomination for Best Actor in a Television Movie

2003

Portrayed an Older Edward Bloom in "Big Fish," directed by Tim Burton; received a Golden Globe nomination for Best Actor in a Supporting Role

2005

Voiced Finnis Everglot in Tim Burton's animated feature "Corpse Bride"

2006

Co-starred with Russell Crowe in director Ridley Scott's "A Good Year"

2007

Cast in "Amazing Grace," as John Newton the author of the hymn <i>Amazing Grace</i>

2007

Co-starred in Sidney Lumet's "Before the Devil Knows You're Dead"

2007

Cast as Dr. Albert Hirsch in "The Bourne Ultimatum"

2012

Reprised Dr. Hirsch in "The Bourne Legacy"

2012

Cast opposite Daniel Craig in 007 feature "Skyfall," directed by Sam Mendes

Photo Collections

Tom Jones - Movie Poster
Here is a country-of-origin British Quad movie poster for Tom Jones (1963), starring Albert Finney and directed by Tony Richardson.

Videos

Movie Clip

Annie (1982) -- (Movie Clip) President Roosevelt Called Three Times After a big musical number celebrating her arrival at the home of billionaire Oliver “Daddy” Warbucks (Albert Finney), Aileen Quinn (the “Little Orphan” title character) hides as the man makes his first appearance, confronting his aide Miss Farrell (Ann Reinking), in producer Ray Stark and director John Huston’s Annie, 1982.
Annie (1982) -- (Movie Clip) Sign! Having warmed to the title character (the orphan whom he originally meant to adopt for just one week), wealthy Oliver Warbucks (Albert Finney) pressures the orphanage boss (Carol Burnett as Miss Hannigan) to sign the deal, but she has her own agenda, in Annie, 1982, song by Charles Strouse and Martin Charnin.
Annie (1982) -- (Movie Clip) It's The Hard-Knock Life Immediately following the restrained first number, the girls (Aileen Queen the “Little Orphan” title character, Toni Ann Gisondi as little Molly) have scared up their minder, Carol Burnett as Miss Hannigan, director John Huston exercising a tight grip in his first musical, song by Charles Strouse and Martin Charnin, choreography by Arlene Phillips, production design by Dale Hennesy, in producer Ray Stark’s Annie, 1982.
Night Must Fall (1964) -- (Movie Clip) Girl's A Funny Creature We met Danny (Albert Finney) hacking and hiding a female body in a nearby pond, now leaving his hotel job and scooting about Hertfordshire, north of London, to meet Mrs. Bramson (Mona Washbourne), employer of his pregnant girlfriend Dora (Sheila Hancock), in the MGM-British remake of Emlyn Williams’ Night Must Fall, 1964.
Night Must Fall (1964) -- (Movie Clip) Open, Danny, Olivia Opening from director Karel Reisz, screenplay by Clive Exton from the sensational Emlyn Williams play, first filmed with Robert Montgomery in 1937, introduces Susan Hampshire whom we’ll learn is Olivia, and co-producer Albert Finney as Danny, hiding a body, Ron Grainer’s score doing much of the lifting, in Night Must Fall, 1964, from MGM-British studios.
Night Must Fall (1964) -- (Movie Clip) Have A Look At The Police Danny (Albert Finney), whom we know is responsible for the body the police are now searching for in the nearby pond, has just begun working as a handyman for Mrs. Branson, employer of his pregnant maid girlfriend, and mother of not-charmed Olivia (Susan Hampshire), in Night Must Fall, 1964, directed by Karel Reisz.
Dresser, The (1983) -- (Movie Clip) Let Them Know You're Coming Backstage at a WWII era English provincial theater, as the end of Othello approaches, Norman (Tom Courtenay, the title character) rushes to support "Sir" (Albert Finney) and company through the curtain call, from the opening scenes of Peter Yates' The Dresser, 1983.
Dresser, The (1983) -- (Movie Clip) Stop That Train! Norman (Tom Courtenay, title character) leads the way as the aging Shakespearean company led by "Sir" (Albert Finney) attempts a wartime change of trains, in The Dresser, 1983, from Ronald Harwood's play and screenplay.
Dresser, The (1983) -- (Movie Clip) You Scotch-Ass Zulu Having rescued "Sir" (Albert Finney, the lead actor and manager of a WWII English Shakespearean theater company) from a senile episode, Norman (Tom Courtenay, title character) prepares him and supporting actors (Michael Gough, Lockwood West) for their performance, in Peter Yates' The Dresser, 1983.
Scrooge (1970) -- (Movie Clip) Uncle Ebenezer! Nephew Harry (Michael Medwin) drops in on grouchy Uncle Ebenezer (Albert Finey) and downtrodden clerk Bob Cratchit (David Collings) in Leslie Bricusse's musical version of "A Christmas Carol," Scrooge, 1970.
Scrooge (1970) -- (Movie Clip) I Hate People/Farver Christmas Two songs by Leslie Bricusse ("I Hate People" performed by Albert Finney and "Farver Christmas" by the ensemble) in this segment of Scrooge, the 1970 musical version of "A Christmas Carol."
Saturday Night And Sunday Morning (1961) -- (Movie Clip) Every Minute God Sends The de-facto debut of Albert Finney, at work in the Raleigh Bicycle Works in Nottingham, a landmark in the British "Angry Young Man" movement, opening Saturday Night And Sunday Morning, 1961, directed by Karel Reisz from Alan Sillitoe's novel and screenplay.

Trailer

Family

Albert Finney Sr
Father
Bookie.
Alice Finney
Mother
Simon Finney
Son
Focus puller, assistant cameraman. Mother, Jane Wenham.

Companions

Jane Wenham
Wife
Actor. Married in 1957; divorced in 1961; member of Birmingham Rep with Finney.
Zoe Caldwell
Companion
Actor. Had relationship from 1959 to 1960; cited as a correspondent in Jane Wenham's divorce case against Finney.
Audrey Hepburn
Companion
Actor. Became romantically involved during the filming of "Two for the Road" (1967).
Anouk Aimee
Wife
Actor. Married in 1970; divorced in 1978.
Pene Delmage
Companion
Travel agent. Together since c. 1990.

Bibliography

Notes

"I grew up secure, and it was dull. Part of the reason I became an actor is that I like my life insecure." --Albert Finney, quoted in "The Great Stage Stars" by Sheridan Morley

About his rapport with fellow RADA alum Tom Courtenay: "When we were doing the filming of 'The Dresser', we just sort of had an ease together when we were working. It was great. Very soon it was clear there was a tremendous sort of trust between us. It's a very comfortable relationship, and we can discuss things quite frankly with each other." --Finney to Los Angeles Times, October 2, 1999

"Listen, I don't care if the queen of England ever knights me because frankly you don't get land with the deal anymore. Who needs it?" --Finney to Cindy Pearlman in Chicago Sun-Times, March 13, 2000

Asked to name his best film: "I must say 'Two For the Road' (1967) because it holds up so well. Working with dear Audrey Hepburn is a memory I will never forget. If I close my eyes, I can still see both of us spending a summer filming in the south of France. I see Audrey in the makeup trailer because it was hot and she had to change her hair, makeup and costumes three times a day."She was remarkable. She worked from five in the morning to late at night . . . I've been very lucky to work with pros. And sometimes when I think back, I actually cry about it. These are people who have been capable of going out on a limb in some way. And courage always impresses me." --Finney in Chicago Sun-Times, March 13, 2000

Remembering John Huston, who directed him in "Annie" and Under the Volcano": "We were doing the read-through of 'Annie' in the Plaza Hotel in New York, and I sat next to John. I knew that he wasn't allowed to smoke anymore, and I smoke cigars, the big ones. When we had a break for coffee, I said, 'John, I'm dying for a smoke; do you mind if I smoke?' John said, 'I wish you would.' And as my smoke drifted past him he took big gulps of it out of the air." --Finney to Premiere, April 2000

About why he took a year off after "Tom Jones": "My agent said, 'In a year thay won't know who you are.' I said, 'They didn't know who I was four months ago. What's the difference?' That year taught me a lot--that I love to travel, and that it was very important to get away from [acting]. It's not like a proper job, where you start with good, honest work, so by the age of 40 you become a branch manager but by 65 you're out. In our game, you don't have to retire. With a bit of luck, I can be boring people to death for the next 20 years or so." --Finney quoted in Premiere, April 2000

On working with Julia Roberts in "Erin Brockovich": "As far as her public is concerned, she could only do romantic comedy if she wished. But for this film I think she went out on a limb. It is over two hours long, and she's on screen for most of that time. She didn't have a day off any day that I worked. But she never came on set in any other state than being ready to work. She was always up. I was proud of her as a fellow professional. That's how a trouper should be. Working with her was enjoyable, because it was volatile and unpredictable." --Finney, quoted in the London Times, April 6, 2000