Chow Yun-fat



Also Known As
Yun-Fat Chow, Jau Yun Faat, Chou Jun-Fa
Birth Place
Hong Kong
May 18, 1955


Hailed by The Los Angeles Times, as quite simply, "the coolest actor in the world," Chow Yun-Fat was a fixture of Hong Kong film and TV since his debut in the early 1970s. Most celebrated by American and British cultists as a hard-boiled action hero, Chow specialized in portrayals of honorable hitmen, gangsters, thieves and trigger-happy cops. A bona fide superstar in his native Asia, Ch...

Family & Companions

Candice Yu
Married for six months in 1983.
Jasmine Chow
Business manager. Second wife; met in 1984; married in 1986; born in Singapore c. 1959.


Hailed by The Los Angeles Times, as quite simply, "the coolest actor in the world," Chow Yun-Fat was a fixture of Hong Kong film and TV since his debut in the early 1970s. Most celebrated by American and British cultists as a hard-boiled action hero, Chow specialized in portrayals of honorable hitmen, gangsters, thieves and trigger-happy cops. A bona fide superstar in his native Asia, Chow's extensive credits spanned a variety of genres, including romances, dramas, slapstick comedies and supernatural thrillers. A favorite of both common folk and cinephiles alike, Chow segued effortlessly between commercial and artsy fare. Moreover, Chow came to define "cool" with his signature handling of cigarettes and firearms with equally devastating flair. Nevertheless, Chow was at his most convincing when playing good-humored "Joes" - generally a common, blue-collar sort characterized by a sense of self-sacrifice, loyalty and utter lack of self-consciousness.

Born in Nam Nga Island, Hong Kong, on May 18, 1955, Chow Yun-Fat escaped an impoverished rural childhood. The child of an oil rigger and his homemaker wife, Chow was one of four children who were raised in a home without electricity. As a child, young Chow would start each day by rising at 4 a.m. to sell dim sum to commuters. In 1965, Chow and his family moved to Kowloon, where he attended a Maoist School. As the Cultural Revolution raged on the mainland, the pre-teen Chow took part in the 1967 Hong Kong riots, prompting his worried mother to transfer him to a boarding school run by the Nationalist Party Kuomintang. Not finding school to his liking, Chow quit at age 17 and worked as a bellboy, postman and camera salesman before responding to a newspaper ad for "free" acting lessons.

As it turned out, the lessons were part of a promotional gimmick sponsored by TVB - a leading Hong Kong TV operation which produced broadcasting at home and handled video distribution throughout Asia. After completing the year-long training program, Chow signed a three-year contract with the studio for a modest sum. The actor quickly became a familiar face in soaps that were exported internationally. By 1976, Chow had begun to gain worldwide notice as the young hunk on the HK primetime soap, "Hotel." That same year, he made his film-acting debut with "The Reincarnation" (1976) and had his first feature lead in "Club Girl Story" (1976). Following this success, Chow found himself in a strong position as he renegotiated his TVB contract, and stayed on for another 10 years. In 1980, he increased his popularity with the TV drama "Shanghai Bund," as a white-suited crime boss in 1920s Shanghai. The show was a hit throughout Asia, including Shanghai itself, when Communist restrictions on imported programming were lifted in the 1990s. In fact, the episodes were subsequently re-edited into two features in 1983.

Chow continued to shift between films and TV throughout the first half of the 1980s. Most of his early features were forgettable genre entries in the world's third largest national cinema, where stars commonly appear in over half a dozen films per year. Chow scored his first critical and popular success with Ann Hui's "The Story of Woo Viet" (1981) as a Vietnamese refugee who escapes to Hong Kong. He won further acclaim and the Taiwanese Golden Horse Award for Best Actor for the period drama "Hong Kong, 1941" (1984), starring as a Northerner who comes to Hong Kong and befriends and nearly betrays a coolie. Nonetheless, after a string of commercial failures, Chow was being written off as a has-been. But then, in 1986, the actor teamed with writer-director John Woo - who was similarly undervalued in his homeland at the time - to collaborate on a film that would transform both their careers.

The result was the box-office champion, "A Better Tomorrow" (1986). A critical hit worldwide, the film instantly consolidated Chow's clout as a global headliner. "I was looking for a man who was a modern knight," recalled Woo in The Los Angeles Times in 1995 - "The kind of man with real guts, who can stand up for justice." Though Chow's character in "A Better Tomorrow" was actually a gangster by vocation, his loyalty and sense of honor more than covered the moral bill. Reputed to be the highest grossing film in Hong Kong history, "A Better Tomorrow" set the standard for HK gangster films and was a landmark in crime drama filmmaking. The movie inspired two sequels - both starring Chow: "A Better Tomorrow II" (1987) and Tsui Hark's "A Better Tomorrow III" (1990). In later years, Chow and Woo re-teamed for a string of successful projects, including "The Killer" (1989), the taut heist drama, "Once a Thief" (1991), and the influential action epic, "Hard-Boiled" (1992). Their frequent creative collaborations would eventually garner comparisons to those of Ford & Wayne and Scorsese & De Niro. Chow, in particular, seemed uniquely suited to the director's distinctive blend of over-the-top action, florid emotions and astounding sentimentality.

Courted by Communist China to continue making films in Hong Kong when the British colony reverted to its control in 1997, Chow chose the Hollywood apparatus instead. Relocating to the U.S., Chow took some time off to master American English - with the hope of resuming his collaboration with Woo - also a recent transplant to America. Resisting studio offers to play the "gangster of Chinatown" roles, Chow remained idle for more than two years, following his last Hong Kong film, "Peace Hotel" (1995), before making his American film debut in the Woo-executive produced "The Replacement Killers" (1998). A thriller in which Chow played an assassin who teams up with a female forger (Mira Sorvino), the film was unfortunately a routine actioner that hardly was a star-making vehicle for Chow, who - clearly not yet comfortable with his adopted language - basically just mumbled his lines. While Chow fared slightly better in his next U.S. outing, "The Corruptor" (1999), co-starring Mark Wahlberg, most critics seemed to agree that the uninspiring tale was unworthy of the established Hong Kong veteran.

Breaking out of action star mode, Chow gave English-speaking audiences a crash course in his range as King Mongkut in "Anna and the King" (1999). Bringing a perfect mixture of enlightenment, compassion and aloofness to the role, the charismatic Chow enjoyed palpable screen chemistry with two-time Oscar-winner Jodie Foster as the British governess brought to Siam to educate the royal children. Though the lush historical epic did sluggish box office stateside, it managed to take in over $120 million worldwide. His next film, Ang Lee's "Crouching Tiger, Hidden Dragon" (2000) promised to be his biggest U.S. hit to date, despite boasting an all-Asian cast speaking in Mandarin dialect. , Along with Asian super-stars Michelle Yeoh and Zhang Ziyi, the film also boasted the work of acclaimed fight choreographer Yuen Wo-Ping, the man responsible for the state-of-the-art martial arts stunts in "The Matrix" (1999). A rich, complex tale of adventure and romance, "Crouching Tiger, Hidden Dragon" drew spontaneous applause from audiences at Cannes for its 20-minute-long, gravity-defying fight sequences. His next role came in the form of a Zen-calm martial arts master whose duty is to protect a powerful ancient scroll in "Bulletproof Monk" (2003). Chow, who was joined by Seann William Scott, displayed a flurry of high-flying acrobatics and martial arts action, as Scott added much of the film's quick wit humor. By this time it was an undeniable fact that Chow had broken through to become a major movie star in both his home country and the United States.

After a brief hiatus from filmmaking, Chow returned the following year to resume his film career. His next three features - made expressly for the Asian market that begat him - were the 2004 indie hit "Du zi deng dai" (English title: "Waiting Alone"), the delightful romantic comedy "Yi ma de hou xian dai sheng huo" (2006) (a.k.a. "The Postmodern Life of My Aunt"), and the Academy-Award nominated historical drama, "Man cheng jin dai huang jin jia," (a.k.a. "Curse of the Golden Flower" (2006). In 2007, Chow made a triumphant return to American screens in "Pirates of the Caribbean: At Worlds End," the second sequel to the swashbuckling 2003 original. Cast as Sao Feng, the Pirate Lord of Singapore, Chow made the most of his scene-chewing opportunity. Particularly charming in his scenes opposite Johnny Depp's Captain Jack Sparrow, Chow's presence would lend a flair of international gravitas to the proceedings.



Cast (Feature Film)

Cold War 2 (2016)
Shanghai (2015)
Beginning of the Great Revival (2011)
Let the Bullets Fly (2011)
Confucius (2010)
The Children of Huang Shi (2008)
Pirates of the Caribbean: At World's End (2007)
The Diary (2007)
Yi Ma De Hou Xian Dai Sheng Huo (2006)
Curse of the Golden Flower (2006)
Duzi Dengdai (2005)
Bulletproof Monk (2003)
The Red Circle (2003)
Crouching Tiger, Hidden Dragon (2000)
Anna and the King (1999)
The Corruptor (1999)
The Replacement Killers (1998)
Full Contact (Xia Dao Gao Fei) (1996)
Tragic Hero (1996)
Prison on Fire (Gaam Yuk Fung Wan) (1996)
Dream Lovers (1996)
Peace Hotel (1995)
Return of the God of Gamblers (1994)
God Of Gamblers
Treasure Hunt (1994)
Hard Boiled (1992)
Now You See Love, Now You Don't (1992)
Prison on Fire II (1991)
Once A Thief (1991)
God of Gamblers II (1990)
Wild Search (1990)
Mickey Lau
A Better Tomorrow (1990)
Mark Lee
The Fun, the Luck, and the Tycoon (1990)
God of Gamblers (1989)
God Of Gamblers
All About Ah Long (1989)
A Better Tomorrow III: Love and Death in Saigon (1989)
Cheung Chi-Keung--Mark
Triads--The Inside Story (1989)
The Greatest Lover (1988)
Cherry Blossoms (1988)
Yuk Tak-Fu--Adult
City War (1988)
The Eight Happiness (1988)
Good-bye Hero (1988)
Tiger On (the) Beat (1988)
Plainclothed Cop
Fractured Follies (1988)
Diary of a Big Man (1988)
Rich and Famous (1987)
An Autumn's Tale (1987)
A Better Tomorrow II (1987)
City on Fire (1987)
Ko Chow--Undercover Officer
Spiritual Love (1987)
Scared Stiff (1987)
Deiha tsing (1987)
Sergeant Lau
Brotherhood (1987)
The Lunatics (1986)
Witch From Nepal (1986)
100 ways to Murder Your Wife (1986)
The Seventh Curse (1986)
Flaming Brothers (1986)
My Will, I Will (1986)
The Missed Date (1986)
The Romancing Star (1986)
Rose (1986)
A Hearty Response (1986)
Why Me? (1985)
Social Worker
Women (1985)
Love in a Fallen City (1984)
The Occupant (1984)
Hong Kong 1941 (1984)
The Bund (1983)
The Last Affair (1983)
Struggling Student
The Bund Part II (1983)
Shanghai Gangster
Blood Money (1983)
The Head Hunter (1983)
The Postman Strikes Back (1982)
The Story of Woo Viet (1981)
Woo Viet
Executioner (1981)
Police Sir (1980)
Joy to the World (1980)
See-Bar (1980)
The Killer (1979)
The Private Lives (1978)
Miss 'O' (1978)
Hot Blood (1977)
Learned Bride Trice Fools Bridegroom (1976)
The Hunter, the Butterfly, and the Crocodile (1976)
The Reincarnation (1976)
Massage Girls (1976)

Cast (Special)

The 73rd Annual Academy Awards (2001)
72nd Annual Academy Awards Presentation (2000)

Life Events


At age ten, moved with family to Kowloon, a part of Hong Kong connected by land to China (date approximate)


Participated in riots as the Cultural Revolution spread to Hong Kong; transferred by his alarmed mother to a boarding school set up by the Nationalist Party Kuomintang


Quit school at age 17 (date approximate)


Suffered a serious motor bike accident


Answered a newspaper ad inviting people to apply for "free" acting classes


Enrolled in an actor's training course at TVB, a leading HK television operation (broadcasting at home, video distribution throughout Asia) owned by the Shaw Brothers


Began his 128 episode stint as the young hunk on the HK primetime soap "Hotel"


Feature debut, "The Reincarnation"


First film in a leading role, "Massage Girls"


Increased his popularity playing a white-suited 1920s crime boss in the TV series, "Shanghai Bund"


Breakthrough feature performance in "The Story of Woo Viet"


Episodes of "Shanghai Bund" re-edited into two features released in January, "The Bund" and "The Bund, Part II"


Won acclaim starring in the period dramatic feature, "Hong Kong 1941"


Revived flagging film career and attained international superstar status as star of the landmark gangster melodrama, "A Better Tomorrow"; first collaboration with writer-director John Woo; starred in two sequels, "A Better Tomorrow II" (1987, also directed by Woo) and "A Better Tomorrow III: Love and Death in Saigon" (1989, helmed by Tsui Hark)


Starred as an undercover cop in the popular, influential and Hong Kong Academy Award-winning crime film, "City on Fire"; first collaboration with director Ringo Lam; starred in two thematically related sequels, "Prison on Fire" (also 1987) and "Prison on Fire II" (1991)


In "Scared Stiff", played a true villain for the first (and, to date, the last) time in his HK film career


Starred in the popular action comedy "The God of Gamblers", which inaugurated a cycle of gambler films; reprised his role for "Return of the God of Gamblers" (1994)


Fifth and last HK collaboration with Woo, "Hard Boiled"


Fifth and last HK collaboration with Lam, "Full Contact"


Last Hong Kong film (to date), "Peace Hotel"


First American feature, "The Replacement Killers", executive produced by Woo; acted opposite Mira Sorvino, whose fluency in Mandarin helped immeasurably as the two co-stars could converse when Chow's English failed him


Played Nick Chen, head of the NYPD's Asian gang unit, who teams with unlikely partner Mark Walhlburg, in "The Corrupter", a routine guns and mayhem picture


Portrayed Siamese ruler Mongkut to Jodie Foster's English governness in "Anna and the King"; filmed in Malaysia


Starred as Li Mu Bai, a noble and expert warrior looking for peace in his final days, in Ang Lee's "Crouching Tiger, Hidden Dragon", a tour de force martial arts epic filmed in Mandarin dialect; subtitled for foreign audiences; debuted at Cannes


Starred in title role of "Bulletproof Monk"


Made a surprise cameo in the mainland Chinese indie-hit "Waiting Alone"


Teamed up with Gong Li to star in "Curse of the Golden Flower" a film by Zhang Yimou


Cast as Chinese pirate Sao Feng in "Pirates of the Caribbean: At World's End"


Movie Clip

True Confession (1937) -- (Movie Clip) I'm A Stickler For Honesty One hopes director Wesley Ruggles didn't need too many takes for Carole Lombard in her vigorous opening shot, rushing to ring lawyer husband Fred MacMurray with news that she's landed a client (Garry Owen), in True Confession, 1937, featuring John Barrymore.
True Confession (1937) -- (Movie Clip) When You Don't Come Out Helen (Carole Lombard), with pal Daisy (Una Merkel), has to sneak back into the house she fled when the owner got grabby while interviewing her for a job, not knowing the guy has been murdered, Edgar Kennedy leading the cops, in True Confession, 1937, co-starring Fred MacMurray.
Killer, The (1989) -- (Movie Clip) My Destined Companion From the opening frame, the hero (Chow Yun-Fat) in a Hong Kong Christian sanctuary, meeting his friend and Tong boss (Chu Kong) then, on the job, getting a glimpse of singer Jenny (Sally Yeh), in John Woo's very influential The Killer, 1989.
Killer, The (1989) -- (Movie Clip) There's A Bloodstain Now following singer Jennie (Sally Yeh) after having, by accident, blinded her on his last assignment, Hong Kong hit man Ah Jong (Chow Yun-Fat) intervenes when she's assaulted, early in director John Woo's international action hit The Killer, 1989.
My Life With Caroline -- (Movie Clip) Another Airport Joining the star in his first scene, Ronald Colman (as husband "Anthony") speaks to the camera, explaining wife Caroline (Anna Lee), her current dalliance with Paco (Gilbert Roland) and one earlier with Paul (Reginald Gardiner), in Lewis Milestone's My Life With Caroline, 1941.
My Life With Caroline -- (Movie Clip) That Was Lucky Deep in a flashback in which sanguine husband Anthony (Ronald Colman) is several steps ahead of fickle wife Caroline (Anna Lee), as she attempts to announce she's leaving, in My Life With Caroline. 1941.


Candice Yu
Married for six months in 1983.
Jasmine Chow
Business manager. Second wife; met in 1984; married in 1986; born in Singapore c. 1959.