Robert Walker

Robert Walker


A standout as star of Alfred Hitchcock?s suspense masterpiece "Strangers on a Train" (1951), the smooth, handsome, masterfully evil man proposing a malevolent scheme was portrayed by Robert Walker and that role represented a major comeback for him after a period of personal crisis that would ultimately lead to his premature end. As a member of the MGM contract player stable, Walker grace...

Photos & Videos

Strangers on a Train - Lobby Cards
See Here, Private Hargrove - Publicity Stills
Since You Went Away - Movie Poster


A standout as star of Alfred Hitchcock?s suspense masterpiece "Strangers on a Train" (1951), the smooth, handsome, masterfully evil man proposing a malevolent scheme was portrayed by Robert Walker and that role represented a major comeback for him after a period of personal crisis that would ultimately lead to his premature end. As a member of the MGM contract player stable, Walker graced features like "Bataan" (1943), but his promising career began to unravel once the more powerful ├╝ber-producer David O. Selznick effectively stole his wife, actress Jennifer Jones, from him, sending him into a tailspin. Although pictures like "Thirty Seconds over Tokyo" (1944) and "The Clock" (1945) confirmed the public?s admiration for the sensitive Walker, excessive drinking and disruptive behavior became commonplace . When he was finally on the road to recovery, but still harboring some problems, Hitchcock?s faith in the actor proved wholly justified. "Strangers on a Train" featured what was arguably Walker?s finest performance and the movie ranked high amongst its director?s accomplishments. Unfortunately, the personal issues continued and a doctor?s attempt to deal with his mood disorder inadvertently brought about Walker?s premature death at age 32. The actor?s troubled life and tragic death became inextricably part of his legend, but he did leave behind a solid body of work and was cherished by Golden Age aficionados as one of the most thrilling villains in the Hitchcock oeuvre.

A native of Salt Lake City, UT, Robert Hudson Walker was born on Oct. 13, 1918 and was a member of the Mormon faith. A mediocre student, Walker had disciplinary problems and clearly need some kind of outlet he could focus on. As an escape from his parents? marital discord and lack of camaraderie with his two elder brothers, Walker developed a fondness for putting on plays with his fellow grade school students. While attending the San Diego Army and Navy Academy, Walker enrolled in a dramatic class and excelled when awarded the lead in the institution?s yearly play. Pleased by her nephew?s newfound passion, a generous aunt offered to cover his fees so that he could attend the American Academy of Dramatic Arts. In 1939, Walker married fellow student Phyllis Isley, herself an up and coming performer, and the couple had two sons, Robert Walker Jr. and Michael Walker. After setting up a very modest home in New York City, Walker initially earned his living via brief assignments on various radio programs. As luck would have it, both Walker and his wife found performing success almost simultaneously. Under her new stage name of Jennifer Jones, Isley became an instant star in "The Song of Bernadette" (1943) and Walker?s career began in earnest with the hit WWII thriller "Bataan" (1943). Now under contract to MGM, he essayed roles in "Madame Curie" (1943) and "See Here, Private Hargrove" (1944), but trouble soon arose just as his career was beginning to take off.

Madly in love with his wife, a helpless Walker watched as his marriage to Jones became strained by a romantic relationship he believed she had developed with the very rich and powerful producer David O. Selznick ? producer of no less than "Gone with the Wind" (1939) among many other classics. The situation became even worse when both were cast in Selznick?s lavish Second World War melodrama "Since You Went Away" (1944). Playing lovers and required to do romantic scenes by a somewhat sadistic Selznick, the experience proved especially trying for Walker. Though the two had split up by that point and officially divorced the next year, the dissolution of his marriage and the idea that he had been dumped in favor of a better, more successful man fed into his insecurities and would have major repercussions on Walker?s life in the years that followed. Although his personal life was going off the rails, his career at MGM continued apace with films like the war actioner "Thirty Seconds over Tokyo" (1944) and the wartime romance "The Clock" (1945), in which he starred opposite Judy Garland, expanding her horizons beyond musicals. That dramatic film proved quite popular and the actor?s charm and good looks went over well with movie audiences ? particularly lonely females left on the homefront. However, still reeling from the loss of his wife, Walker had started drinking heavily and his indulgences and moody behavior ? which often caused him to go missing from the set for hours at a time ? had led to problems during production. During the filming of "What Next, Corporal Hargrove?" (1945), Walker vanished for several days and, upon returning to work, displayed no contrition over the problems and financial losses he had caused. Regardless, he was given the lead in "Till the Clouds Roll By" (1946), the studio?s biopic on the life of Broadway legend Jerome Kern. As a penalty for problems Walker created during that particular shoot, his role was reduced and he was given "And" billing after the project?s numerous guest stars, rather than the star status the project?s subject matter merited.

After further trouble brought about by an inebriated Walker leaving the scene of a car accident, MGM began to loan the disgruntled actor out. He enjoyed one fairly good vehicle via the fantasy comedy "One Touch of Venus" (1948), but an affair with co-star Ava Gardner created much behind-the-scenes havoc. The quality of subsequent movies rapidly declined and he found himself in B-pictures like "Law of the Barbary Coast" (1949) and "Black Midnight" (1949). Things were also not good on the personal front. Walker entered into a hasty second marriage with film editor Barbara Ford, the daughter of noted director John Ford. Alas, it was over within six months because of Walker?s erratic behavior. Even more damning, his arrest for a minor case of intoxication made the newspapers accompanied by an unflattering photo taken at the jail. Hoping to get his life back together, Walker spent time in the Menninger Clinic, where all alcohols would flock in lieu of modern-day rehab centers. During his stay, he managed to talk his way off the grounds and engaged in a drunken fight with a policeman. Eventually, Walker developed a connection with one of the facility?s psychotherapists and after four and a half months of productive one-on-one sessions, he was deemed well enough to leave.

Walker?s first film upon resuming acting was the romantic comedy "Please Believe Me" (1950), but his subsequent effort, "The Skipper Surprised His Wife" (1950), was a long way away from the high-gloss product he had regularly made a few years earlier. Luckily, a savior arrived in the form of noted director Alfred Hitchcock, who cast Walker as the antagonist of his thriller "Strangers on a Train" (1951). As malevolent Bruno Anthony, who tries to convince a tennis star (Farley Granger) to participate in "criss-cross murders," Walker was wonderfully convincing in the role and that highly effective performance would turn out to be his best remembered. That year, Walker wed his third wife, Hanna Landy, and his career seemed to be on an upswing, including a lead role opposite Burt Lancaster in the entertaining Technicolor Western "Vengeance Valley" (1951). Although Walker felt that he had largely conquered his demons, the actor still had periods where he lost control.

On the evening of Aug. 28, 1951, such an incident occurred and a physician administered a sedative called Amobarbital. Unfortunately, Walker had consumed alcohol beforehand and the combination of the two caused him to lose consciousness and stop breathing; attempts to revive him proved futile. At the time of his death, Walker had been appearing in the rather silly anti-Communist drama "My Son John" (1952) and enough of his scenes were in the can that the producers were able to finish the movie using footage from "Strangers on a Train." He was posthumously awarded a star on the Hollywood Walk of Fame for his motion picture accomplishments. Robert Walker, Jr. went on to have a moderately successful acting career in such notable motion pictures as "The War Wagon" (1967) and "Easy Rider" (1969), and amassed numerous television guest star credits. Michael Walker also worked for a time as a performer, with most all of his credits coming from small screen assignments. But it was their legendary father who, although posthumously, would finally receive the credit many felt he had long deserved. Despite his sadly short run, Robert Walker managed to be both one of Hollywood?s greatest leading men and one of its more heartbreaking stories.

By John Charles



Director (Feature Film)

Street of Darkness (1958)

Cast (Feature Film)

My Son John (1952)
John Jefferson
Strangers on a Train (1951)
Bruno Antony
Vengeance Valley (1951)
Lee Strobie
The Skipper Surprised His Wife (1950)
Commander William Lattimer
Please Believe Me (1950)
Terence Keath
The Skipper Suprised His Wife (1950)
One Touch of Venus (1948)
Eddie Hatch
The Beginning or the End (1947)
Colonel Jeff Nixon
Song of Love (1947)
Johannes Brahms
The Sea of Grass (1947)
Brock Brewton
Till the Clouds Roll By (1947)
Jerome Kern
The Sailor Takes a Wife (1946)
John [Hill]
What Next, Corporal Hargrove? (1945)
Corporal Marion Hargrove
Her Highness and the Bellboy (1945)
Jimmy Dobson
The Clock (1945)
Corporal Joe Allen
Thirty Seconds Over Tokyo (1944)
David Thatcher
Since You Went Away (1944)
William G. "Bill" Smollett II
See Here, Private Hargrove (1944)
Private [Marion] Hargrove
Madame Curie (1944)
David LeGros
Bataan (1943)
Leonard Purckett
The Talk of the Town (1942)
Deputy sheriff
I'll Sell My Life (1941)
I'll Sell My Wife (1941)
The Lone Wolf Strikes (1940)
Pioneer Days (1940)
Mr. Smith Goes to Washington (1939)
Senator Holland
Let Us Live (1939)
The Pal from Texas (1939)
El Diablo Rides (1939)
Trigger Pals (1939)
Winter Carnival (1939)
The Mysterious Pilot (1938)
Two Fisted Sheriff (1937)
Speed to Spare (1937)
Woman in Distress (1937)
It Can't Last Forever (1937)
Federal man
Two-Fisted Gentleman (1936)
Adventure in Manhattan (1936)
The Amazing Exploits of the Clutching Hand (1936)
[Joe] Mitchell
Hair-Trigger Casey (1936)
Step on It (1936)
Caryl of the Mountains (1936)
Enos Colvin
Under Two Flags (1936)
Custer's Last Stand (1936)
Henchman Pete
The Final Hour (1936)
The Black Coin (1936)
Mary Burns, Fugitive (1935)
Skull and Crown (1935)
Midnight Phantom (1935)
Capt. Phillips
Rough Riding Ranger (1935)
"Ram" [Hansen]
Fighting Caballero (1935)
Loser's End (1935)
Never Too Late (1935)
Now or Never (1935)
Texas Jack (1935)
Dan Corey
Captured in Chinatown (1935)
Outlawed Guns (1935)
The Crimson Trail (1935)
Rawhide Mail (1934)
Terror of the Plains (1934)
I Believed in You (1934)
Strawberry Roan (1933)
Jaws of Justice (1933)
Boone Jackson
King of the Arena (1933)
Lone Trail (1932)
The Scarlet Brand (1932)
[Bill] Morse
Man from New Mexico (1932)
Mort Snyder
The Pueblo Terror (1931)
Bob Morgan
West of Cheyenne (1931)
Headin' for Trouble (1931)
Butch Morgan
Kid from Arizona (1931)
Westward Bound (1930)
Phantom of the Desert (1930)
Ridin' Law (1930)
Breed of the West (1930)
Longrope Wheeler
Canyon Hawks (1930)
Steve Knowles
The Dream Melody (1929)
George Monroe
The Code of the Scarlet (1928)
Frank Morgan
The Upland Rider (1928)
The Cowboy Cavalier (1928)
Roaring Fires (1927)
Daring Deeds (1927)
Walter Sarles
Western Courage (1927)
The Gallant Fool (1926)
Captain Turgemore
Deuce High (1926)
Ranger McLeod
Drug Store Cowboy (1925)
Gentleman Jack
A Daughter of the Sioux (1925)
Eagle Wing
The Outlaw's Daughter (1925)
Slim Cole
Warrior Gap (1925)
Major Burleigh
The Rip Snorter (1925)
Robert Willis
The Mystery Box (1925)
The Dancing Cheat (1924)
Bobby Norton
Battling Brewster (1924)
Itching Palms (1923)
Dr. Peak
Why Women Remarry (1923)
Dan Hannon's sister's second husband
Broad Daylight (1922)
The "Scarab"
Reckless Chances (1922)
Harry Allen
White Oak (1921)
Harry, Barbara's brother
Shore Acres (1920)
Sam Warren
Rouge and Riches (1920)
Jefferson Summers
The Texan (1920)
Winthrop Endicott
Prairie Trails (1920)
Winthrop Adams Endicott
The Merry-Go-Round (1919)
Charles Merryweather
The Light (1919)
Etienne Desechette
Burglar by Proxy (1919)
Harlan Graves
The Lion Man (1919)
The Whirlpool (1918)
Richard Brettner
Miss Innocence (1918)
Henry Grant/Lawrence Grant
The Fair Pretender (1918)
The Woman Who Gave (1918)
Don Walcott
The Woman Between Friends (1918)
Jack Graylock
At the Mercy of Men (1918)
Count Andreas
The Sins of the Children (1918)
Graham Guthrie
The Mortal Sin (1917)
George Anderson
The Girl Without a Soul (1917)
Hiram Miller
A Wife by Proxy (1917)
Norton Burbeck
God's Law and Man's (1917)
Dr. Claude Drummond
Blue Jeans (1917)
Perry Bascom
Lady Barnacle (1917)
George Morling
Aladdin's Other Lamp (1917)
Harry Hardy
The Light of Happiness (1916)
Reverend Clyde Harmon
The Gates of Eden (1916)
William Bard
Caprice of the Mountains (1916)
Dick Deane
Children of Eve (1915)
Bert Madison
The Way Back (1915)
Ralph Kingman
Don Caesar De Bazan (1915)
Charles II of Spain

Cinematography (Feature Film)

Elizabeth Of Ladymead (1948)
The Courtneys Of Curzon Street (1947)

Writer (Feature Film)

Million Dollar Haul (1935)
Million Dollar Haul (1935)
Tex Takes a Holiday (1932)
Kid from Arizona (1931)
The Three Outcasts (1929)
Law or Loyalty (1926)
My Pal (1925)

Life Events

Photo Collections

Strangers on a Train - Lobby Cards
Here are a few Lobby Cards from Strangers on a Train (1951). Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.
See Here, Private Hargrove - Publicity Stills
Here are a few publicity stills from MGM's See Here, Private Hargrove (1944), starring Robert Walker and Donna Reed. Publicity stills were specially-posed photos, usually taken off the set, for purposes of publicity or reference for promotional artwork.
Since You Went Away - Movie Poster
Here is an "advance" One-sheet movie poster for Since You Went Away (1944). The poster copy touts the previous successes of producer David O. Selznick.


Movie Clip

See Here, Private Hargrove -- (Movie Clip) Fort Bragg Date Bureau Robert Walker, the innocent title character, thinks Mulvehill and Esty (Keenan Wynn, George Offerman) have sold him a legit date through their bogus "date bureau" with widely-admired Carol (Donna Reed), whose uncle (Grant Mitchell) takes pity, in See Here, Private Hargrove, 1944.
See Here, Private Hargrove -- (Movie Clip) Your First War? Cordial greetings on the draftee bus, between Hargrove (Robert Walker, playing the writer and title character, who was still only 25, in the feature based on his best-selling novel), Esty (George Offerman) and Mulvehill (Keenan Wynn), followed by comeuppance at induction ceremonies, in See Here, Private Hargrove, 1944.
Since You Went Away (1944) -- (Movie Clip) I Wish I Were Twenty-Seven Jane (Jennifer Jones) is at first compassionate toward Corporal Smollett (Jones' then-husband Robert Walker) then swooning before officer Tony (Joseph Cotten) in David Selznick's Since You Went Away, 1944.
Please Believe Me (1950) -- (Movie Clip) No Point Getting On The Boat We've already met Deborah Kerr as English Alison, believing reports she's inherited a vast Texas estate, now boarding the ship from London, she meets Robert Walker and James Whitmore, whose motivations are not quite clear, then Peter Lawford and Mark Stevens who are more forthright, in MGM's Please Believe Me, 1950, produced by Val Lewton.
Thirty Seconds Over Tokyo (1944) -- (Movie Clip) Twenty Four B-25's Opening scenes with Col. Doolittle (Spencer Tracy) and the B-25 piloted by Ted Lawson (who wrote the book, played by Van Johnson), crewmen Tim Murdock, Don DeFore, Gordon McDonald and Robert Walker, from Thirty Seconds Over Tokyo, 1944.
Till The Clouds Roll By (1946) -- (Movie Clip) Kern, Jerome Kern Robert Walker as youthful bio-pic subject Jerome Kern has invited himself into the home of fictional admired classical composer James Hessler (Van Heflin), New York early 1900?s, Joan Wells as daughter Sally, in the MGM Freed Unit?s musical Till The Clouds Roll By, 1947.
Till The Clouds Roll By (1946) -- (Movie Clip) Can't Help Lovin' Dat Man From the opening Broadway-show within-a-movie segment, a 1927 production of Jerome Kern and Oscar Hammerstein II?s Show Boat, Lena Horne in the role of Julie, and the song she was not chosen to sing in the next MGM version, from the Kern bio-pic Till The Clouds Roll By, 1946.
Bataan (1943) -- (Movie Clip) Hard Night's Work Stand-in mechanics Purckett (Robert Walker) and Ramirez (Desi Arnaz) helping pilot Bentley (George Murphy) fix up his plane, reporting to Sergeant Dane (Robert Taylor) and discovering a man missing, in the Dore Schary-MGM production Bataan, 1943.
Clock, The -- (Movie Clip) Busted Heel Corporal Allen (Robert Walker), adrift in Grand Central Station, meets New Yorker Alice (Judy Garland) in the first scene from Vincente Minnelli's home-front romance The Clock, 1945.
Clock, The -- (Movie Clip) Opening Credits Opening title sequence from MGM's 1945 hit The Clock, starring Judy Garland and Robert Walker, famously rescued after a rough start by director Vincente Minnelli.
Since You Went Away -- (Movie Clip) Your Grandson Boarder Col. Smollett (Monty Woolley) is not amused with the joke Brig (Shirley Temple) has received from her soldier father when his own unwelcome grandson (Robert Walker) drops by, in Since You Went Away, 1944.
Thirty Seconds Over Tokyo (1944) -- (Movie Clip) Ruptured Duck Lt. Miller (Louis Jean Heydt) briefing on short take-offs, Lawson (Van Johnson) and co-pilot Davenport (Tim Murdock) the second to try, taking guff from Manch (John R. Reilly) and naming their plane, in Thirty Seconds Over Tokyo, 1944.